American President, The (1995)
by Aaron Sorkin.

FADE IN:

As the OPENING TTTLES ROLL against a series of shots of 
statues and paintings of former presidents, we HEAR shards of
dialogue from various presidential speeches.

MAIN TITLES END ON

EXT. BEAUTIFUL ESTABLISHING SHOT OF THE WHITE HOUSE - DAY

It's an early November morning, and the sun has just come
over this extraordinary building. WE HOLD on this for a moment
before we

                                                           CUT TO:

INT. A CORRIDOR IN THE RESIDENCE - DAY

A SECRET SERVICE AGENT presses the button by the private 
elevator as he talks into his shirt cuff.

			AGENT COOPER
	Liberty's moving.

Another AGENT rounds the corner into the corridor and is 
followed a step or two later by

PRESIDENT ANDREW BENJAMIN SHEPHERD.

SHEPHERD's walking with his personal assistant, JANIE, a shy, 
professional and incredibly efficient 25-year-old.

			JANIE
	The 10:15 event's been moved inside 
	to the Indian Treaty Room.

			SHEPHERD
		   (to Janie)
	The 10:15 is American Fisheries?

			JANIE
	Yes, sir. They're giving you a 
	200-pound halibut.

			SHEPHERD
	Janie, make a note. We need to 
	schedule more events where somebody 
	gives me a really big fish.

JANIE starts to make a note.

			JANIE
	Yes, sir.

			SHEPHERD
	Janie, I was kidding.

			JANIE
	Of course, sir.

			SHEPHERD
	       (to the AGENT at the 
	        elevator)
	Hey, Cooper.

			AGENT COOPER
	'Morning, Mr. President.

SHEPHERD and JANIE enter the elevator. As the doors close...

			JANIE
	Mr. Rothschild asked to have a moment 
	with you this morning.

			SHEPHERD
	Is he upset about the speech last night?

			JANIE
	He seemed concerned.

			SHEPHERD
	Well, it wouldn't be a Monday morning 
	unless Lewis was concerned about 
	something I did Sunday night.

The elevator doors open, revealing LEWIS ROTHSCHILD. At 32, 
LEWIS is the President's chief domestic policy advisor. It 
would appear that he averages about two hours sleep a night, 
though that doesn't seem to slow him down.

			LEWIS
	You skipped the whole paragraph.

			SHEPHERD
		   (to Janie)
	And Monday morning it is.

LEWIS falls into the pace as the three of them head for the 
double doors leading to the South Lawn.

			LEWIS
	"American can no longer afford to 
	pretend that they live in a great 
	society"...and then nothing. You 
	dumped the whole handguns paragraph.

			SHEPHERD
	This is a time for prudence, Lewis.

			LEWIS
	That was the kick-ass section.

The three of them are now OUTSIDE and making their way down 
the COVERED WALKWAY that runs from the East Wing to the West 
Wing.

			SHEPHERD
	I thought what with being the 
	President and all...

			LEWIS
	Sir, of course I didn't mean to 
	imply--

			SHEPHERD
	I thought you'd be turning cartwheels 
	this morning, Lewis -- 63 percent job 
	approval.

			LEWIS
	That's great news, sir, but...

They walk past a GROUNDKEEPER who's at work at a patch of grass.

			GROUNDKEEPER
	'Morning, Mr. President.

Before he's even completed the last syllable of the greeting, 
JANIE quickly and quietly said--

			JANIE
	Charlie.

			SHEPHERD
	'Morning, Charlie.

			LEWIS
	Sir, the press is gonna need an 
	explanation.

			SHEPHERD
	For what?

SHEPHERD, LEWIS and JANIE walk through the door being held 
open by an AGENT. The conversation continues as they make 
their way through the corridors of

INT. THE WEST WING - DAY

They walk quickly down a hallway teeming with STAFFERS, AIDES 
AND OFFICE WORKERS.

			LEWIS
	Because you dropped the whole kick-ass 
	section, now we've got this thing hanging 
	out there.

			SHEPHERD
	There's a thing hanging out there?

			LEWIS
	"Americans can no longer afford to 
	pretend that they live in a great 
	society." Then ...nothing. No 
	explanation. No context. So now i
	t's just this thing.

			SHEPHERD
	And it's hanging out there?

			LEWIS
	Yes, sir.

SHEPHERD stops at an open doorway, calls to a STAFFER--

			SHEPHERD
	Maria--

			STAFFER (MARIA)
	Good morning, sir.

			SHEPHERD
	Did they tell you I'm gonna need--

			STAFFER (MARIA)
	--overall consumer spending and not 
	just first homes. Yes, sir. We'll have 
	it for you in 15 minutes.

			SHEPHERD
	Thanks.

SHEPHERD moves on. LEWIS and JANIE stay with him.

			LEWIS
	Mr. President, I really feel we need 
	to focus on...

			SHEPHERD
	Lewis, however much coffee you drink 
	in the morning, I want you to reduce it 
	by half.

			LEWIS
	I don't drink coffee.

			SHEPHERD
	Then hit yourself over the head with 
	a baseball bat, would you please?

Another STAFFER crosses their path--

			JANIE
	Happy birthday, Laura.

			SHEPHERD
	Hey, Laura, happy birthday.

			STAFFER (LAURA)
	Thank you, sir.

Once out of earshot--

			SHEPHERD
		(to JANIE)
	I should send her some flowers.

			JANIE
	You already did, sir.

And, with that, they walk through a doorway and into

INT. THE OVAL OFFICE - DAY

In the OUTER OFFICE, MRS. CHAPIL, the President's secretary, 
is hard at work on a word processor. She stands as SHEPHERD 
walks in--

			MRS. CHAPIL
	Good morning, Mr. President.

			SHEPHERD
	How're you, Mrs. Chapil?

			MRS. CHAPIL
	Fine, thank you, sir. Mr. Kodak left 
	the detailed breakdown of the approval 
	poll for you. He seemed to indicate that 
	it was very good news.

			SHEPHERD
	Sixty-three percent of it, at any rate.

And by now they're in the OVAL OFFICE itself. SHEPHERD has 
gone to his desk and is looking over the various overnight 
briefing memos that have been left for him. As someone used 
to doing six things at once, he has no trouble reading, 
listening, and talking at the same time.

			MRS. CHAPIL
	Lucy called just a moment ago. You 
	forgot to sign her permission slip 
	for her class--

			JANIE
	--the museum trip. I'll go get it.

			SHEPHERD
		   (to JANIE)
	What time does she get home today?

			JANIE
	Three-twenty.

			SHEPHERD
	How's my afternoon look?

			JANIE
	Very crowded.

			SHEPHERD
	Schedule some time for me at 3:30.

			WOMAN (O.S.)
	Buenos dias, Senor Presidente.

This from ROBIN McCALL, a strikingly tall black woman and the 
President's press secretary, as she strides into the room.

			SHEPHERD
	Too-tall McCall, how was Mexico?

			ROBIN
	I didn't truly appreciate it until I 
	came back and discovered that America 
	isn't a great society.

			LEWIS
		   (to ROBIN)
	He dumped a whole section.

			SHEPHERD
	Now there's a thing hanging out there.

			ROBIN
	Not a great society, sir?

			SHEPHERD
	Well, with you out of the country, it 
	wasn't, Robin. Now that you're back, 
	we're great again.

			ROBIN
	There's a press room full of people 
	saying "What did he mean by that?"

			LEWIS
	See?

			SHEPHERD
		   (re: a memo he's been 
		    looking at)
	A.J., did you get one of these?

This is said to A. J. MACINERNEY as he walks through a 
separate entrance on the left side of the room. In addition 
to being the President's Chief of Staff and closest advisor,
he's the President's closest and oldest friend.

			A.J.
	Is that the letter from Solomon at 
	the GDC?

			SHEPHERD
	It would appear to be a letter from 
	the entire environmental community. 
	These people are outta control.

			A.J.
	I think they're just frustrated, 
	Mr. President.

			ROBIN
	Are they blaming the President for 
	global warming?

			A.J.
	Well, they don't think he caused it, 
	if that's what you mean.
		   (continuing; 
		    to SHEPHERD)
	Sir, I'm on the phone with these 
	people twice a week. I honestly 
	don't know what they want at this 
	point.

			LEWIS
	What they want is a 20 percent reduction in 
	fossil fuel emissions.

			A.J.
	It won't pass at 20 percent.

			LEWIS
	We haven't really tried.

			A.J.
	Lewis, McSorley, McCluskey and Shane 
	hold too many markers. If we try to 
	push this through and lose, there will 
	be a very loud thud when we hit the 
	ground, and that's not what you want in 
	an election year.

			SHEPHERD
	Talk to the GDC again, A.J. Tell them 
	the President resents the implication 
	that he's turned his back on the 
	environment. Tell them I'll send 455 to 
	the floor. But we're gonna ask for a 
	10 percent reduction. If they want to pull 
	their support, fine. At 63 percent job 
	approval rating. I don't need their help 
	getting a bill passed. We gotta get going--
	where's Leon?

			A.J.
		   (to an AIDE)
	Would you call Mr. Kodak and tell him 
	the President's--

A.J.'s sentence is cut short by the sound of a head-on 
pedestrian collision in the outer office--

			MRS. CHAPIL (O.S.)
	Aaagh!

			KODAK (O.S.)
	Sorry! Sorry, my fault.

			A.J.
		   (to the AIDE)
	Never mind.

LEON KODAK comes into the oval office. The White House 
pollster is a likable, if clumsy, numbers whiz. He, along 
with A.J., LEWIS, and ROBIN, are regarded as the President's 
Starting Team. The people in this room have grown very close 
over the past few years.

			KODAK
	Excuse me. Good morning, Mr. President.

			SHEPHERD
	You all right?

			KODAK
	They keep moving that big ficus plant.

			A.J.
	We're all here, Mr. President.

			SHEPHERD
	Okay. First, I wanted to say 
	congratulations. Three years ago, we 
	were elected to the White House by 
	one of the narrowest margins in history, 
	and today Kodak tells us 63 percent of 
	registered voters think we're doing a 
	good job.

			KODAK
	Wait a second. You wanted me to poll 
	registered voters?

Everyone LAUGHS... even SHEPHERD smiles...

			SHEPHERD
	But the poll also tells us what we 
	already knew: We don't get this 
	crime bill of ours through Congress 
	and these numbers are gonna be a 
	memory. So, starting today, we're 
	shifting it into gear.

			ROBIN
	Can I tell my morning press gaggle 
	that gun control--

			A.J.
	Crime control, Robin. Gun control 
	means we're wimps and we're soft on 
	crime.

			LEWIS
	Hang on, are we not--

			A.J.
	Lewis--

			LEWIS
	Are we not putting back the handgun 
	restrictions?!

			A.J.
	We're leaving 'em out.

			LEWIS
	Sir, we campaigned on this issue. 
	Now, I understand we took it out when 
	we were in the low forties, but we 
	can push it through now.

			SHEPHERD
	After the elections.

			LEWIS
	Sir, we may never have an opportunity 
	like this again. Let's take this 63 
	percent out for a spin and see what
	it can do.

			SHEPHERD
	We can't take it out for a spin, Lewis. 
	We need it to get re-elected. For 
	reasons passing understanding, people 
	do not relate guns to gun-related crime.

			A.J.
	Robin, you can brief the press this 
	afternoon. As of today, the crime 
	bill's priority one on the President's 
	domestic agenda.

			ROBIN
	Got it.

			A.J.
	Leon, you're gonna run the war room. 
	We're gonna need detailed projections 
	for all the target districts by the 
	end of the week. And, Leon, don't be 
	a nice, sweet guy from Brooklyn. Do 
	what the N.R.A. does.

			KODAK
	Scare the shit out of 'em?

			A.J.
	Yeah.

			KODAK
	I can do that.

			A.J.
	Lewis, we want you to be legislative 
	liaison on this. You're gonna run 
	the show on the hill.

			LEWIS
	Can I just say, to return to the 
	subject for one moment, that it might 
	be easier to fight a war on drugs if 
	we weren't arming drug dealers.

SHEPHERD responds a little too quickly -- we see a spark of a 
temper.

			SHEPHERD
	Lewis, we've gotta fight the fights 
	we can win.

			LEWIS
	Yes, sir.

			A.J.
	We want to announce the crime bill at 
	the State of the Union, which is 72 
	days from today. The last nose count 
	put us 18 votes short.

			SHEPHERD
	Eighteen votes in 72 days. Thank you, 
	everyone. Janie, what's next?

			A.J.
	Thank you, Mr. President.

The meeting's over. LEWIS, ROBIN, and KODAK say their "Thank 
you, Mr. President"'s as they exit.

			JANIE
	Security briefing, sir.

                                                           CUT TO:

EXT. THE WASHINGTON BUSINESS DISTRICT - DAY

It's around 10 o'clock the same morning as the capital district, 
in its own way, is showing signs of the approaching Thanksgiving 
and Christmas holidays.

EXT. A CHROME AND GLASS BUILDING - DAY

On the seventh floor of the building. A RECEPTIONIST tells us 
where we are by answering the phone--

			RECEPTIONIST (V.O.)
	Global Defense Council...

			SUSAN (V.O.)
	You wanted to see me?

			LEO (V.O.)
	I just got off the phone with A.J. 
	MacInerney.

                                                           CUT TO:

INT. LEO SOLOMON'S OFFICE - DAY

LEO, a white-haired man in his early 60's is meeting with 
SUSAN SLOAN, a 40'ish lawyer who seems to go out of her way 
to create an issue where none exists.

			SUSAN
	Did the President read the letter?

			LEO
	The President's pissed as hell, 
	Susan. That letter was a stupid move.

			SUSAN
	It was aggressive, and we should 
	stand by every--

			LEO
	This isn't the guy who needed us four 
	years ago, Susan. He's incredibly 
	popular. He's gonna win re-election 
	in a walk, and he could give a shit 
	what we stand by! If the President 
	passes the most important piece of 
	environmental legislation in history, 
	and does it despite our negative 
	endorsement, our political weight in 
	the future will rank somewhere below 
	the Save the Spotted Owl Society.
		   (beat)
	I'm bringing in some help.

			SUSAN
	We don't need another environmental 
	expert to confirm what every other 
	environmental expert--

			LEO
	Not an environmental expert, a 
	professional political strategist. 
	We're playing hardball with Andrew 
	Shepherd, and we need a heavy bat.

			SUSAN
	Who?

			LEO
	Sydney Ellen Wade.

			SUSAN
	Oh Christ. That woman doesn't know 
	the first thing about the 
	environmental lobby.

			LEO
	She's a closer, Susan. She gets the 
	job done.

                                                           CUT TO:

INT. THE OVAL OFFICE - DAY

SHEPHERD and LEWIS -- working on a speech.

			SHEPHERD
	Try it like this and lose that.

			ROBIN
		   (entering)
	David Sasser from the Times called 
	and wanted to know what the White 
	House felt was a great society.

			LEWIS
	What did you tell him?

			ROBIN
	I told him I couldn't speak for the 
	President, but for my money: Bermuda.

			SHEPHERD
	Perfect.

JANIE steps in--

			JANIE
	Mr. President, your cousin Judith's 
	come down with the flu and won't be 
	able to join you Thursday night.

			SHEPHERD
	That's too bad. Remind me to give 
	her a call later.

			JANIE
	Yes, sir.

			ROBIN
	You gonna go stag?

			SHEPHERD
	That's not a problem.

			ROBIN
	No. We've never gone wrong parading 
	you around as the lonely widower.

The words came out casually, but they instantly freeze everyone.

			ROBIN
		   (continuing)
	My God.
	          (beat)
	I can't believe I said that.
		   (beat)
	Mr. President, that was an incredibly 
	thoughtless remark. I would never 
	dream of insulting you or the memory 
	of your wife.

			SHEPHERD
	That's okay, forget it.
		    (to JANIE)
	What time is it?

			JANIE
	It's 3:45, sir.

			SHEPHERD
	I'm gonna go over and say hi to Lucy.

			JANIE
	You have the Attorney General at 4:00 
	and the trade representative at 4:30. 
	Somewhere in there you promised NPR 
	five minutes.

			ROBIN
	Mr. President--

			SHEPHERD
	Robin, don't worry about it.

                                                           CUT TO:

INT. THE RESIDENCE - DAY

We HEAR the sound of a TROMBONE being played--not well--from 
one of the rooms. SHEPHERD comes around and down the corridor.

He walks into--

INT. LUCY'S ROOM - DAY

LUCY, Shepherd's 12-year-old daughter, stops playing.

			SHEPHERD
	No, keep going. I liked what you 
	were playing? What's it called?

			LUCY
	Scales.

			SHEPHERD
	Well... you play it with gusto!

			LUCY
	Are my lips swollen?

			SHEPHERD
	Are they supposed to be?

			LUCY
	Yeah.

			SHEPHERD
	Then you're doing fine.

			LUCY
	Whatcha got behind your back?

			SHEPHERD
	A little gift.

			LUCY
	Is it a dirt bike?

			SHEPHERD
	Nope.

He hands her an old textbook ...

			LUCY
	Is it a really old seventh-grade 
	textbook of yours that you're gonna 
	make me read cover to cover and 
	discuss at dinner and drive me crazy 
	with?

			SHEPHERD
	I'm not comfortable with the "really 
	old" part, but everything else you 
	said was true.

			LUCY
		   (reading the cover)
	"Understanding the Constitution."

			SHEPHERD
	Your social studies teacher said your 
	class would be starting on the 
	Constitution this week.

			LUCY
	You talked to Mr. Linder?

			SHEPHERD
	Yes. It's called a Parent-Teacher 
	Conference. Mr. Linder and I were 
	the key player in that discussion. 
	Why don't you like social studies, 
	Luce?

			LUCY
	I like it fine, Dad.

			SHEPHERD
	All your other teachers say you're 
	happy, you're enthusiastic, you've 
	always got your hand up...Mr. Linder 
	says you don't participate unless he 
	calls on you, and even then it's a 
	one-word answer.

			LUCY
	I don't know what to say, Dad. I 
	guess I'm just not...I don't know.

			SHEPHERD
	Luce, take a look at this book. This 
	is exciting stuff. It's about who we 
	are and what we want. Read what it 
	says on the first page.

			LUCY
		   (reading)
	"Property of Gilmore Junior High 
	School."

			SHEPHERD
	The next page.

			LUCY
		   (reading)
	"We, the People, of the United States, 
	in order to form a more perfect union..."

			SHEPHERD
	See? Grabs you right off the bat. 
	It's a page-turner.

			LUCY
	I can't wait.

			SHEPHERD
	Good, 'cause it's possible the subject 
	might come up at dinner tonight.

			LUCY
	Do you see it as part of your job to 
	torture me?

			SHEPHERD
	No, it's just one of the perks. See 
	you tonight.

He gives her a kiss on the head and heads out the door. 
Behind him, he hears Lucy's rendition of "Hail to the Chief." 
SHEPHERD shoots her a look as we

                                                           CUT TO:

INT. CABINET ROOM - NIGHT

Where SHEPHERD is finishing a meeting with the DEFENSE 
SECRETARY, CHAIRMAN OF THE JOINT CHIEFS and a NATIONAL 
SECURITY ADVISOR, each of whom is accompanied by at least one 
DEPUTY or AIDE. A.J. is also present.

			DEFENSE SECRETARY
	The C-STAD hardware's been in place 
	for a month. We've got 22 instructors 
	from the Army Air Defense School waiting 
	to go down and train the Israelis.

			A.J.
	How soon can you deploy them?

			CHAIRMAN
	We can airlift 'em in the morning. 
	They'll have C-STAD operational in 20 
	days.

			A.J.
	Any security concerns?

			SECURITY ADVISOR
	If anybody wanted to hit it, they'd 
	have hit it by now.

			SHEPHERD
	Okay. Let's move on it. Thank you, 
	gentlemen.

SHEPHERD and A.J. leave the Cabinet Room amidst a volley of 
"good-bye" 's and "Thank you, Mr. President"'s.

They pass MRS. CHAPIL and JANIE.

			SHEPHERD
		   (continuing)
	Have a good evening, Mrs. Chapil.

			MRS. CHAPIL
	You too, Mr. President.

SHEPHERD starts his walk from the West Wing back to the 
residence.

It is the exact reverse of the path he took to the OVAL OFFICE 
in the morning.

			SHEPHERD
	I'll see you in the morning, Janie.

			JANIE
	You will, Mr. President.

A SECRET SERVICE AGENT follows at a distance.

			AGENT #2
		   (sotto)
	Liberty is moving.

			A.J.
	Leo Solomon brought in a hired gun 
	at the GDC.

			SHEPHERD
	It's about time.

			A.J.
	She's a lawyer from Virginia named 
	Sydney Ellen Wade. I know this woman 
	well. She's had a lot of success 
	getting congressmen elected.

			SHEPHERD
	Maybe we should try to steal her. 
	Ten percent, A.J. Don't let them 
	leave the room till they're clear 
	about that.

			A.J.
	You know, if you've got a free second, 
	maybe you could stop in and say hello. 
	It might smooth the way.

			SHEPHERD
	Mention it to Janie.
	
			A.J.
	Good.

			SHEPHERD
	Then let's clear this off the table 
	and get everybody focused on the 
	crime bill. I don't want to win 
	this. I want to win it by a couple of 
	touchdowns.

			A.J.
	We will, Mr. President.
	
	              SHEPHERD
	Good.

A.J. starts to leave. SHEPHERD stops him.

			SHEPHERD
		   (continuing)
	A.J.?

			A.J.
	Yes?

			SHEPHERD
	Listen, Robin said something to me 
	today that I'm sure she wouldn't have 
	said it if...I mean, she wasn't saying 
	it to me, I realize...
		   (beat)
	Ah, never mind. Have a good night.

			A.J.
	Good night, Mr. President.

			SHEPHERD
	A.J., when we're out of the office 
	and we're alone, you can call me Andy.

			A.J.
	I beg your pardon?

			SHEPHERD
	I mean you were the best man at my 
	wedding, for crying out loud. Call 
	me Andy.

			A.J.
		   (laughing off the 
		    suggestion)
	Whatever you say, Mr. President.
	
They have reached the south entrance to the White House.

			A.J.
		   (continuing)
	Have a good night, sir.

			SHEPHERD
	Good night, A.J.

SHEPHERD enters the White House.

                                                           CUT TO:

EXT. THE WHITE HOUSE - NIGHT

                                                      DISSOLVE TO:

EXT. THE WHITE HOUSE - DAY

It's early morning of the following day, and the grounds 
outside are in full swing.

EXT. THE NORTHWEST EXECUTIVE ENTRANCE - DAY

In front of the guardhouse, Susan and her new colleague, 
SYDNEY ELLEN WADE, are being cleared.

			SYDNEY
		   (to the GUARD)
	Hi, my name's Sydney Ellen Wade.

			SUSAN
	He just needs your driver's license.

SUSAN hands the guard her license.

			SYDNEY
		   (handing him her 
		    license)
	I'm from Virginia.

			SUSAN
	He doesn't care.

			SYDNEY
		   (to the GUARD)
	I'm here for a meeting with Mr. 
	MacInerney.

			SUSAN
	He doesn't need to know that.

The GUARD BUZZES her through the gate.

			SYDNEY
		   (to the GUARD)
	Forgive me, this is my first time at 
	the White House. I'm trying to savor 
	the Capra-esque quality.

			SUSAN
	He doesn't know what Capra-esque 
	means.

			GUARD
		   (to SUSAN)
	Yeah, I do. Frank Capra, great 
	American director -- It's a Wonderful 
	Life, Mr. Smith Goes to Washington.
		   (handing SYDNEY and SUSAN 
		    their laminated passes)
	Sydney Ellen Wade of Virginia. Knock 
	'em dead.

			SYDNEY
	Thanks.

SYDNEY and SUSAN begin to walk up the path toward the entrance 
to the West Wing.

                                                           CUT TO:

INT. THE OVAL OFFICE - DAY

A meeting with the EDUCATION SECRETARY, the HUD SECRETARY, 
several AIDES and LEWIS is breaking up. SHEPHERD is ushering 
people out.

			SHEPHERD
	The day the government starts 
	subsidizing private schools is the 
	day we give up on public education.

		EDUCATION SECRETARY
	I know the proposal only scratches 
	the surface, but it's the least we 
	can do.

			SHEPHERD
	We're already doing the least we can 
	do, but I can't think of anything 
	better, so we'll go with this for now.
		   (to HUD SECRETARY)
	Jerry, say hello to Linda for me. 
	And if I don't see you again, have a 
	good Thanksgiving.

			HUD SECRETARY
	Thank you, Mr. President.

The room has cleared...JANIE is arranging new papers on the 
President's desk.

			SHEPHERD
	How're we doing?

			JANIE
	You're running four minutes ahead of 
	schedule.

			SHEPHERD
	Ahead?

			JANIE
	Yes, sir.

			SHEPHERD
		   (exited)
	Janie, this is unprecedented. I don't 
	know what to do with myself.

			JANIE
	Mr. MacInerney asked me to remind you 
	to pop your head in on--

			SHEPHERD
	The GDC meeting. Right.

                                                           CUT TO:

INT. A.J.'s OFFICE - DAY

			A.J.
	Your concerns are not falling on deaf 
	ears. The environmental lobby has 
	known no greater alley in the White 
	House than President Shepherd.

			SYDNEY
	Hardly an impressive distinction, A.J.

SUSAN is trying to avert the inevitable--

			SUSAN
	Sydney, we should leave Mr. MacInerney 
	alone now. He's already given us more 
	time than--

			SYDNEY
	Susan, Mr. MacInerney doesn't want 
	us to leave, because Mr. MacInerney's 
	not yet done what he needs to do today.

			SUSAN
	Sir, Ms. Wade's been thrown into the 
	deep end of the pool on her first day. 
	She hasn't even had a chance to read 
	the report of the Quebec Conference.

SYDNEY -- whose brain is telling her to slam on the brakes, 
check her swing, smile and leave the building -- decides, 
instead, to hit the gas and swing away. The OTHERS are watching 
this as if they were watching the evolution of a train wreck.

			SYDNEY
	You're right. I haven't read it. If 
	someone had asked me yesterday, I'd 
	have told them the Quebec Conference 
	was made up of six professional hockey 
	teams. But what I do know is that it's 
	time for the President to run for 
	president again. Leon Kodak is as good 
	as it gets when it comes to electoral 
	strategy, and I'm certain he's told the 
	President exactly what I'd tell him: 
	Nail down Michigan and California, 
	where they make cars and airplanes -- 
	and burn plenty of fossil fuel. But if 
	I had read these eight hundred pages, 
	I would have discovered that it's the 
	burning of fossil fuels that's been 
	mostly responsible for global warming and 
	that the 20 percent reduction recommended 
	by the GDC is a necessary first step 
	toward arresting the catastrophic greenhouse 
	effect that has gone unchecked by this 
	administration...

			SUSAN
		   (to SYDNEY)
	It's really time to--

			SYDNEY
	Susan, I promise you, the White House 
	Chief of Staff will not let us leave 
	here until he's broken the bad news.

No one in the room really understands what's going on...
except A.J., who would like to take the time to admire 
SYDNEY but, of course, can't.

			A.J.
		   (pause)
	I'm afraid Sydney's right. Although 
	not about Michigan and California. 
	The President has asked me to convey 
	to you that he's sending his energy 
	bill to the floor with a call for a 
	reduction of 10 percent.

There's an uncomfortable silence in the room...

			A.J.
		   (continuing)
	The President is willing to go it 
	alone on this, but he's asking for, 
	and frankly he's expecting, the full 
	support of the GDC.

			SYDNEY
	The President's expecting our full 
	support?

			A.J.
	Yes, he is.

			SYDNEY
	The President's dreamin', A.J.

			SUSAN
	Sydney!
			SYDNEY
	--the President has critically 
	misjudged reality. If he honestly 
	thinks that the environmental 
	community is going to whistle a 
	happy tune while rallying support 
	around this pitifully lame mockery of 
	environmental leadership just because 
	he's a nice guy and he's done better 
	than his predecessors, then your boss 
	is the Chief Executive of Fantasyland.

			VOICE (O.S.)
	Let's take him out back and beat the 
	shit out of him.

SYDNEY's blown out her speakers because she's turned in the 
direction of the private office entrance to see, live and in 
person, The President of the United States.

She is frozen. Mortified. If she were capable of thought 
process, she would be preying for something heavy to fall on 
her head right now.

			A.J.
	Good morning, Mr. President. How are 
	you today?

			SHEPHERD
	Couldn't be better.
		   (to the GROUP)
	I apologize for the interruption, but 
	A.J. asked me to stop and say hello. 
	You wouldn't be Sydney Ellen Wade, by 
	any chance, would you?

			SYDNEY
	Mr. President, I'm...don't know what 
	to say. I'm speechless.

			SHEPHERD
	All evidence to the contrary.

			SUSAN
	Mr. President, we haven't met. My 
	name is Susan Sloan. I used to work 
	with Congressman Myers. I hope this 
	episode in no way--

			SHEPHERD
	Sydney?

			SYDNEY
	Yes, sir?

			SHEPHERD
	You got a second?

			SYDNEY
		   (quietly)
	Of course.

SYDNEY gets up to leave. SHEPHERD escorts her out of A.J.'s 
office and into the hallway.

			SHEPHERD
	I thought maybe we might have a word 
	in private. Someplace a little less 
	intimidating.
		   (calling)
	Janie?

			JANIE
	Yes, sir.

			SHEPHERD
		   (to SYDNEY)
	This is my personal assistant, Janie 
	Basdin. Janie, would you show Ms. 
	Wade into the rec room. I'll be there 
	in a second.

SHEPHERD enters a doorway off of the hall. SYDNEY continues 
down the hallway.

			JANIE
		   (to SYDNEY)
	This way...

JANIE leads SYDNEY into...

INT. THE OVAL OFFICE - DAY

...where SYDNEY just stands uncomfortably, not knowing 
whether to sit or stand. Waiting. Trying -- the way a jumper 
on a window ledge tries not to look down -- trying not to 
notice things like the JFK Desk, the Seal of the President of 
the United States, the bust of Lincoln...

SHEPHERD strides in--

			SHEPHERD
	Sorry to keep you waiting.

			SYDNEY
	Mr. President--

			SHEPHERD
	Is it okay if I call you Sydney?

			SYDNEY
	Of course. Mr. President--

			SHEPHERD
	Have you ever been in the Oval Office?

			SYDNEY
	I've just been on the regular tour. 
	It didn't include...

			SHEPHERD
	I hear it's pretty good.

			SYDNEY
	Mr. President, what you saw in there 
	was nothing more than vanity run amok. 
	I was showing off for a colleague who 
	doesn't think very much of me. It'd 
	be a real injustice for you to hold the 
	GDC accountable for my behavior today. 
	On top of which, I'm monumentally sorry 
	for having insulted you like that.

			SHEPHERD
	Are you under the impression that I'm 
	mad at you?

			SYDNEY
		   (pause)
	Well...

			SHEPHERD
	Sydney, seldom does a day go by that 
	I'm not burned in effigy.

			SYDNEY
	Not by a professional political 
	operative standing 30 feet from the 
	Oval Office.

			SHEPHERD
	No, I'll give you that.

			SYDNEY
	Mr. President--

			SHEPHERD
	Did you know that when the City 
	Planners sat down to design 
	Washington, D.C., their intention was 
	to build a city that would intimidate 
	and humble foreign heads of state? 
	It's true.

			SYDNEY
	I didn't know that.

			SHEPHERD
	The White House has the single 
	greatest home court advantage in the 
	modern world.

			SYDNEY
	Learned that one the hard way.

			SHEPHERD
	Sydney, this bill is important to me.

			SYDNEY
	Yes, sir, I'll convey your message.

			SHEPHERD
	But you don't believe me?

			SYDNEY
	The GDC is asking for 20 percent, sir.

			SHEPHERD
	It's not gonna pass at 20 percent. 
	It's a long shot at 10.

			SYDNEY
	How do you know that until you put 
	the full weight of the White House 
	behind--

			SHEPHERD
	Sydney, at 20 percent, we are 34 votes 
	shy in the House. It can't be done. 
	But I tell you what. I'll make you a 
	deal with you. If you can get 24 
	votes, I'll get you the last 10.

			SYDNEY
	Twenty-four votes?

			SHEPHERD
	If you can swing 24 votes by the 
	State of the Union, I'll promise you 
	full White House support.

			SYDNEY
	Do I have your word on that, sir?

			SHEPHERD
	Absolutely. Listen, are you hungry? 
	I skipped breakfast. You wanna have 
	some coffee? A donut or something?

			SYDNEY
	Sir, I'm a little intimidated by my 
	surroundings, and yes, I've gotten 
	off to a rocky and somewhat stilted 
	beginning, but don't let that 
	diminish the weight of my message: 
	The GDC has been at every president 
	for the last decade and a half that 
	global warming is a calamity, the 
	effects of which will be second only 
	to nuclear war. The best scientists 
	in the world have given you every 
	reason to take the GDC seriously. 
	But I'm gonna give you one more. If 
	you don't live up to the deal you 
	just made, come New Hampshire, we're 
	gonna go shopping for a new candidate.

SYDNEY heads for the door--

			SHEPHERD
	You can't do that, Sydney.

			SYDNEY
	With all due respect, Mr. President, 
	who's gonna stop me?

			SHEPHERD
	Well, if you go through that door, 
	the United States Secret Service. 
	That's my private office.
		      (pointing)
              You need to go out that way.

			SYDNEY
		   (beat)
	Ah.

SYDNEY, with as much dignity as she can muster, leaves the 
Oval Office. SHEPHERD muses about what has just transpired.

                                                           CUT TO:

INT. THE BILLIARD ROOM - NIGHT

SHEPHERD has converted one of the rooms on the second floor 
residence. His expert shot demonstrates that playing pool is 
something he does almost as well as being President. A.J. 
stands to the side with his pool cue.

			A.J.
	McSorley, McCluskey and Shane know 
	we're making our move on the crime 
	bill. They're circling the wagons on 
	the assault weapons.

			SHEPHERD
	Should I meet with them?

			A.J.
	Let Lewis take a pass at them first.

			SHEPHERD
	Fine. 2 in the side.

SHEPHERD sends the two-ball flying into the corner pocket.

			A.J.
	Nice shot, Mr. President.

			SHEPHERD
	Nice shot, Mr. President? You won't 
	call me by my name when we're playing 
	pool.

              A.J. assesses the table.

			A.J.
	I will not do it playing pool, I will 
	not do it in a school, I do not like 
	green eggs and ham, I do not like 
	them Sam I am.


			SHEPHERD
	At ease, A.J., and get away from the 
	pocket. 9 in the corner.

SHEPHERD makes the shot.

			A.J.
	Leo Solomon phoned. He said he was 
	thrilled with the deal you made this 
	morning.
	
SHEPHERD lifts his cue for a moment...trying to think it 
there was something he was supposed to tell A.J.

			SHEPHERD
	I forgot to tell you.

			A.J.
	It's a waste of time.

			SHEPHERD
	Not our time. GDC makes a big 
	push for the votes, and when they 
	come up short, we move in with the 
	softer bill, to get passed, we're 
	everybody's hero. 3 in the side.

			A.J.
	Also, Sydney Wade called.

SHEPHERD, a hair too excited by this news, misses by a mile.

			SHEPHERD
	Sydney Wade?

			A.J.
		   (beat)
	She wanted to apologize one more time 
	for her behavior. 3 in the side.

			SHEPHERD
	Did she say anything about me?

			A.J.
		   (beat)
	Sydney Wade?

			SHEPHERD
	When she called.

			A.J.
	Did she say anything about you? 
	13 in the corner.

			SHEPHERD
	No, it's just that we had a nice 
	couple of minutes together. She 
	threatened me and I patronized her 
	and we didn't have anything to eat, 
	but I thought there was a connection.

A.J. is staring at him in disbelief.

			SHEPHERD
	She didn't say anything about me?

			A.J.
		(quietly)
	Well, no, but I could pass her a note 
	before study hall and--

			SHEPHERD
	Tell me this: Hypothetically, what 
	would happen--

			A.J.
	I feel a nightmare coming on. 1 in 
	the corner.
	
He misses the shot.

			SHEPHERD
	--if I called Sydney and asked her 
	to be my date at the State Dinner 
	Thursday night?

			A.J.
	You're not serious.

			SHEPHERD
	Don't I sound serious?

			A.J.
	The President can't just go out on 
	a date.

			SHEPHERD
	Why not? Jefferson did. Wilson did.

			A.J.
	You're not--

			SHEPHERD
	Wilson was widowed during his first 
	term. He meets a woman named Edith 
	Gault. He dated her, courted her, 
	married her, and somewhere in there 
	managed to form the League of Nations.

			A.J.
	Mr. President, this is an election 
	year. If you're looking for female 
	companionship, we can make 
	arrangements that'll insure total 
	privacy and--

			SHEPHERD
	I don't want you to get me a girl, 
	A.J. What is this, Vegas?

			A.J.
	No, sir, this is the White House.

			SHEPHERD
	And I'm talking about something 
	that in no way is at conflict with 
	my oath of office. I'm a single 
	adult, and I met a woman that I'd 
	like to see again socially. How's 
	that different from what Wilson did?

			A.J.
	The difference is he didn't have to 
	be the president on television. 
	You've said it a million times: 
	If there were a television set in every 
	living room 60 years ago, this country 
	does not elect a man in a wheelchair.

			SHEPHERD
	What are you saying?

			A.J.
	We'll take a hit.

			SHEPHERD
	How big?

			A.J.
	I don't know. Five points. Maybe 
	more.

			SHEPHERD
	Five points we're standing here 
	talking about?!

			A.J.
	It could be more.

			SHEPHERD
	I drop five points when Wisconsin 
	doesn't make it to the Rose Bowl. 
	5 in the corner.

			A.J.
	Do you want me to have Kodak put 
	together some numbers so we know 
	what we're talking about?

			SHEPHERD
	Yeah.
		   (beat)
	No. No. I don't want to check a 
	polling sample to see if this is 
	okay, like I'm asking permission 
	to stay out an hour past curfew. 
	This isn't the business of the 
	American people.

			A.J.
	Mr. President, the American people 
	have a funny way of deciding on 
	their own what is and what is not 
	their business.

			SHEPHERD
	I like her, A.J.
		   (pause)
	Stop being my chief of staff for one 
	minute.

			A.J.
		   (beat)
	Give her a call.

			SHEPHERD
		   (calling out)
	Janie!
		   (to A.J.)
	She didn't say anything about me?

			A.J.
	She said you're taller than she 
	thought you'd be.

			SHEPHERD
	That's something.

JANIE enters--

			JANIE
	Yes, sir?

			SHEPHERD
	I need you to track down a phone 
	number.

                                                           CUT TO:

EXT. A RESIDENTIAL STREET IN GEORGETOWN - NIGHT

Lined with red-brick, three-story walk-ups.

                                                           CUT TO:

INT. BETH'S APARTMENT - NIGHT

A few suitcases and two or three moving cartons serve as 
evidence that SYDNEY's staying with her sister BETH 
temporarily.

BETH, still in hospital scrubs from a 12-hour shift, opens a 
bottle of wine while SYDNEY, in a bathrobe and wet hair, 
tries to get off the phone.

			SYDNEY
		   (into phone)
	Richard...Richard, it wasn't funny. 
	I acted like a college freshman at a 
	protest rally.

			BETH
	Tell him the part about walking out 
	the wrong door.

			SYDNEY
	Oh God, I forgot about that.
		   (back into phone)
	No, Richard...Richard, I don't want 
	to hear your Andrew Shepherd imitation...

			BETH
	I wanna hear it.

			SYDNEY
	I'm hanging up now, Richard...
	Tonight? I was gonna go to bed early 
	and wake up when there's a new 
	president.

She hangs up.

			SYDNEY
		   (continuing)
	The President must think I'm a third-
	rate jerk.

			BETH
	If he thinks you're a jerk, I'm sure 
	he thinks you're a first-rate jerk.

			SYDNEY
	I'll tell you one thing, boy. I 
	regrouped, you gotta gimme that. 
	I pulled it together at the end. I 
	stood in the middle of the Oval 
	Office and I made it very clear that 
	from now on, he who doesn't take the 
	GDC seriously does so at his peril!

			BETH
	And then you walked out the wrong 
	door.

			SYDNEY
	Are you gonna be throwing that back 
	at me the rest of my life?

			BETH
	That's my current plan, yes.

The TELEPHONE RINGS...

			SYDNEY
	That's gonna be Leo Solomon. He said 
	he'd call at nine.

SYDNEY picks up the phone--

			SYDNEY
		   (continuing; 
		    into phone)
	Hello?

			SHEPHERD
	Uh, hi, is this Sydney?

SYDNEY doesn't recognize the voice--

			SYDNEY
		   (into phone)
	Leo?

			PHONE VOICE
	No, this is Andrew Shepherd.

SYDNEY looks at BETH and rolls her eyes, then explains to 
her--

			SYDNEY
	Andrew Shepherd.
		   (back in the phone)
	You're hilarious, Richard. You're a 
	regular riot.

And we CROSS-CUT between SYDNEY and SHEPHERD.

			SHEPHERD
	Uhh...this isn't Richard, it's Andrew 
	Shepherd.

			SYDNEY
	Oh, really. Well, I'm so glad you 
	called, because I forgot to tell 
	you today what a nice ass you have. 
	I'm also impressed that you were able 
	to get my phone number, considering 
	I don't have a phone. Good night, 
	Richard.

SYDNEY hangs up the phone.

INT. SHEPHERD'S PRIVATE OFFICE/THE RESIDENCE - NIGHT

as SHEPHERD, undaunted, dials the number again.

			SHEPHERD
		   (under his breath)
	This used to be easier.

                                                           CUT TO:

INT. BETH'S APARTMENT - NIGHT

as the PHONE RINGS.

			SYDNEY
	I don't believe this.

			BETH
	You want me to deal with him?

			SYDNEY
	No way. I may choke in front of 
	Shepherd, but Richard Reynolds I 
	can handle.

She picks up the phone.

			SYDNEY
		   (continuing)
	Hello?

And we begin CROSS-CUTTING again between the two.

			SHEPHERD
	Sydney?

			SYDNEY
	Are you learning-impaired?!

			SHEPHERD
	Listen, do me a favor. Hang up the 
	phone.

			SYDNEY
		   (beat)
	What?

			SHEPHERD
	Hang up the phone. Then dial 456-1414. 
	When you get the White House operator, 
	give her your name and tell her you 
	want to speak to the President.

SHEPHERD hangs up.

                                                  CUT TO:

INT. BETH'S APARTMENT - NIGHT

SYDNEY's still holding the phone and seems a little 
confused...an emotion which is about to be replaced by horror 
as the unbelievable into the reality.

			SYDNEY
		   (to herself)
	This isn't happening to me.

She dials.

			BETH
	What's going on?

			SYDNEY
		   (to herself)
	It's not possible I did this twice in 
	one day.

The OPERATOR answers.

			OPERATOR
		   (filtered)
	Good evening, the White House.

SYDNEY swallows.

			OPERATOR
		   (continuing; filtered)
	Hello?

			SYDNEY
		      (quietly)
	My name's Sydney Ellen Wade. I'd 
	like to--

			OPERATOR (O.S.)
		   (filtered)
	The President's expecting your call, 
	ma'am. I'll put you right through.

                                                           CUT TO:

INT. SHEPHERD'S PRIVATE OFFICE/THE RESIDENCE - NIGHT

He's just opened a bottle of beer when the phone rings. 
He picks up the phone--

			SHEPHERD
	Hello.

			SYDNEY
	Mr. President, I'm sure there's an 
	appropriate thing to say at this 
	moment. Probably some formal apology 
	for the nice-ass remark would be in 
	order. I just don't quite know how 
	to word it.

			SHEPHERD
	It's my fault. I shouldn't have 
	called you at home. Should I call 
	you at the office tomorrow?

			SYDNEY
	No, sir, of course not. I mean -- 
	yes, you can call me anytime you want 
	-- this is fine. Right now is fine. 
	When I said "of course not," I meat 
	that...You know what? The hell with it 
	-- I'm moving to another country.

			SHEPHERD
		   (smiling)
	What did you mean when you said you 
	don't have a phone.

			SYDNEY
	I just moved to Washington over the 
	weekend, and my apartment isn't ready 
	yet. This is my sister's apartment. 
	Come to think of it, how did you get 
	this number?

			SHEPHERD
		   (beat)
	How did I get the number. That's a 
	reasonable question. I don't know. 
	Probably the FBI.

			SYDNEY
		   (trying to pretend 
		    it's just another 
		guy on the phone)
	The FBI. Sure. 'Cause i-if you want 
	to find someone and you're the 
	president, that's who you would call.

			SHEPHERD
	You know who else is good at that?

			SYDNEY
	The C.I.A.?

			SHEPHERD
	Well, yeah, but I was thinking of the 
	Internal Revenue Service. They have 
	computer files that...Well...I should 
	stop stalling. As I'm sure you know, 
	the French have elected themselves a 
	new president, and we're having a formal 
	state dinner at the White House, and I 
	was wondering -- and you're under no 
	obligation at all -- but I thought it 
	might be fun... I was wondering if you 
	maybe wanted to go...with me, and uh...
	there it is. That's why I was calling.

There's a long silence on the phone.

			SHEPHERD
		   (continuing)
	Sydney? Sydney, Congress doesn't 
	take this long to--

			SYDNEY
	The President has asked me to join 
	him in representing our country. 
	I'm honored. I'm equal to the task. 
	And I won't let you down, sir.

			SHEPHERD
		   (beat)
	Sydney, this is just a dinner. We're 
	not gonna be doing espionage or 
	anything.

			SYDNEY
	No. Of course. I'm a little...uh...what 
	do I do? I, I mean, where do I go? 
	Should I meet you? Will you...

			SHEPHERD
	I'm gonna have a very nice woman 
	named Marsha Bridgeport call you. 
	She's the White House Social Director, 
	and she'll help you with anything you 
	want. Now when she calls you and tells 
	you her name is Marsha Bridgeport, 
	it'll help if you give her the 
	benefit of the doubt.

			SYDNEY
	Of course.

			SHEPHERD
	I'll see you Thursday night.

			SYDNEY
	Mr. President, thank you for asking 
	me. Really. This is a first for me.

			SHEPHERD
	Me too.

They hang up.

                                                      DISSOLVE TO:

EXT. OLD EXECUTIVE OFFICE BUILDING - DAY

INT. THE CRIME BILL WAR ROOM - DAY

A large conference room at OEOB has been converted for the 
use of a half-dozen STAFFERS as well as ten or twelve 
interns, some of them high school age. A sign on a 
corkboard reads, "17 Votes in 69 Days."

The two numbers are written on two separate pads of paper so 
that the top sheets can be torn off to reveal the following 
numbers in descending order.

There is also a bulletin board that lists every member of the 
House of Representatives and is divided up into five columns: 
FOR, LEANING TOWARDS, UNDECIDED, LEANING AGAINST, and AGAINST.

			KODAK
	Who's on Indiana?
		   (raising his voice)
	Excuse me. New people, I can't 
	remember your names. Raise your 
	hand if you're on Indiana.

Two INTERNS raise their hands--

			KODAK
		   (continuing)
	Put your hands down -- you're on 
	Illinois.

LEWIS comes in.

			LEWIS
	We've got Jarrett.

			KODAK
	What?

			LEWIS
	George Jarrett. He's ours. Solid 
	"yes."

			KODAK
	I don't believe it.
		   (to an INTERN)
	You. New guy. "Jarrett, Democrat, 
	Minnesota." Slide his name on over 
	to "for."
		   (to Lewis)
	We just had his name laminated under 
	"Undecided." How'd you get the fence 
	pole out of his butt?

			LEWIS
	I wish I could take credit. He just 
	said, "Lewis, I support the President 
	a hundred percent ." Not the bill, 
	the President.

			LEWIS
	We're gonna win this in a walk. It's 
	like a kissing booth at a carnival. 
	Give us a vote, get a photo-op with 
	number 63.

LEWIS reaches to the tote board and pulls the "17" off, 
revealing "16."

			LEWIS
	We should have gone after the 
	handguns.

			KODAK
	We gotta do one thing at a time.

			LEWIS
	We don't have time to do one thing at 
	a time.

                                                     CUT TO:

INT. FOSSIL FUEL WAR ROOM - DAY

A GDC conference room that SYDNEY, her assistant, DAVID, and 
two INTERNS have made into their 72-day headquarters. A 
similar tote board reads "23 Votes in 69 Days."

The two interns are marking spreadsheets. DAVID is on one 
phone, SYDNEY is on another.

			DAVID
		   (into phone)
	Carol, it's David in Sydney Wade's 
	office. I want to confirm her lunch 
	with the Congressman.

			SYDNEY
		   (into phone)
	We could do with a little party 
	leadership, Mike. Is the Majority 
	Whip takin' a break? Congress is in 
	session, right, I'm not wrong about 
	that?

LISA, another intern, is hanging up a phone in the background 
and crossing to the corkboard.

			LISA
	I just got off with Luther Simons. 
	Brock's on board.

			SYDNEY
	Terrific!

She rips the "23" off, making it "22." SYDNEY reaches for 
her coffee and knocks over a cup of pencils. In righting the 
pencils, she knocks over her coffee.

			DAVID
	You're awfully jumpy today. What do 
	you have -- a big date tonight?
	
With that, a big pile of papers is sent flying off the desk.

                                                  CUT TO:

INT. THE WHITE HOUSE - NIGHT

It's a beautiful night. The White House, lit up and shimmering 
in its golden glow, would appear now to be exactly what the 
poet was looking at when he described The Shining City on a 
Hill.

Limousines, several of which fly the flag of foreign 
diplomats, pull up one by one, their doors opened by white-
gloved MARINES.

White lights from television cameras mix with the fireworks 
of flashbulbs from the print media.

INT. THE WHITE HOUSE - NIGHT

The GUESTS -- of whom there are a couple hundred -- in black tie 
and evening gowns, are entering the receiving area.

All this happening, of course, under the eye of the SECRET 
SERVICE AGENTS, both American and French, who are 
strategically placed throughout.

The light from a TV camera comes on as a reporter begins a 
quick stand-up interview with ROBERT RUMSON, a handsome man 
in his late forties.

			REPORTER (LLOYD)
		   (to the camera)
	I'm standing here with Senate 
	Minority Leader Robert Rumson, just 
	one of the many guests arriving at 
	what, for a few hours at least, is a 
	non-partisan White House. Senator, 
	the latest public opinion survey 
	shows the President with approval 
	ratings that would make him all but 
	unbeatable, come next November. Is 
	there a Republican who can mount a 
	serious challenge, and are you that 
	candidate?

			RUMSON
	Lloyd, it's a long time till next 
	November. Right now, I'm just 
	looking forward to a pleasant evening.

                                                     CUT TO:

INT. SHEPHERD'S BEDROOM - NIGHT

Lucy is standing behind her father, tying his bow tie.

			SHEPHERD
	That's a little tight, Luce.

			LUCY
	It's supposed to be tight. It's 
	supposed to make you look regal.

			SHEPHERD
	Is it supposed to cut off the blood 
	flow to my face?

			LUCY
	All done.

He looks in the mirror.

			SHEPHERD
	Not bad. Where did you learn how to 
	do this?

			LUCY
	Social studies.

			SHEPHERD
	Very funny.
		       (smiles)
	Really, where did you learn?

			LUCY
	I don't know...I just guess...

			SHEPHERD
	Sweetie, did Mom teach you how to do 
	this?

			LUCY
	Yeah.

			SHEPHERD
		       (pause)
	Lucy, is this okay with you? My 
	having dinner with a woman?

			LUCY
	It's totally okay.

			SHEPHERD
	Are you sure? Because if you want to 
	talk about it...

			LUCY
	Dad, it's cool. Go for it.

			SHEPHERD
	You know, I'm a little nervous.

			LUCY
	You'll be fine. Just be yourself.

			SHEPHERD
	Be myself.

			LUCY
	And compliment her shoes.

			SHEPHERD
	Her shoes?

			LUCY
	Girls like that.

                                                     CUT TO:

INT. EAST WING ENTRANCE - NIGHT

Dressed in formal, but not festive, clothes and holding, as 
always, her notepad, JANIE waits by the door.

A SECRET SERVICE AGENT sits alone behind a small desk.

The door opens and SYDNEY walks in. She's, needless to say, 
stunning.

			JANIE
	Miss Wade? The President wants you 
	to join him upstairs in the 
	residence. May I show you the way?

                                                     CUT TO:

INT. SITTING HALL/THE RESIDENCE - NIGHT

This formal reception area is filled with special GUESTS. As 
SYDNEY walks in, A.J. goes to her immediately.

			A.J.
	Sydney, come on in. You look 
	beautiful.

			SYDNEY
	Thank you. I have no idea what I'm 
	doing here.

			A.J.
	I promise you there's no hidden 
	agenda.
	
SHEPHERD approaches SYDNEY.

			SHEPHERD
	Sydney. Andrew Shepherd. We spoke on 
	the phone.

			SYDNEY
	Yes, sir. I remember.

ESTHER, MACINERNERY, A.J.'S wife, joins them.
              
			A.J.
	You know my wife, Esther.

			SYDNEY
	Sure. It's nice to see you again.

			ESTHER
		   (affectionately)
	Sydney, the President told me about 
	how you two met. I think it's 
	priceless.

			SYDNEY
	I don't know what happened. One 
	minute I was calling him a mockery of 
	an environmental leader. The next 
	minute I had a date.

			ESTHER
	Men like being insulted by women. 
	It makes them feel loved. Don't ask 
	me why.

			A.J.
	Sydney, when you meet the French 
	President, don't make him feel too 
	loved, all right? We just signed a 
	new trade agreement.
                             
			SYDNEY
	Got it.

The French President, D'ASTIER, and his WIFE approach.

			SHEPHERD
		   (to D'Astier)
	Mr. President, would allow me to 
	introduce Sydney Ellen Wade of the 
	Commonwealth of Virginia. Sydney, 
	this is President Rene-Jean D'Astier 
	and his wife Monique Danielle 
	D'Astier of France.

			SYDNEY
	An honor to meet you both.

			JANIE
	Mr. President, I'm sorry to 
	interrupt. The receiving line is in 
	place.

			SHEPHERD
	Sydney, it sounds like our table's 
	ready.

SHEPHERD's guests make their way out of the residence, 
leaving SHEPHERD with SYDNEY and the FRENCH PRESIDENT and 
MDME. D'ASTIER.

                                                     CUT TO:

INT. STAIRCASE - NIGHT

SHEPHERD and SYDNEY are walking down the staircase that leads 
to the red-carpeted hall through which the President enters 
the East Room.

The GROUP escorting the President gives them wide berth so 
that the two of them can have some privacy.

			SHEPHERD
	Once we hit the bottom of the 
	stairs, I gotta do a thing. 
	You'll be escorted...

			SYDNEY
	They took me through it.

After a slight pause--
			SYDNEY
		   (continuing)
	Do you do this often, sir?

			SHEPHERD
		   (beat)
	This is, actually, only our second 
	State Dinner. The first was for the 
	Emperor of Japan, who died shortly 
	after that, so we stopped having them 
	for a while, just in case.

			SYDNEY
	I meant do you go out on...do you--
	often--do you--

			SHEPHERD
	Do I date a lot?

			SYDNEY
	Well, yeah.

			SHEPHERD
	No. How 'bout you?

			SYDNEY
	Me? Lately, I seem to be going out 
	on a lot of first dates.

			SHEPHERD
	Then you're experienced at this.

			SYDNEY
	Oh yeah, you can ask me anything.

			SHEPHERD
	How are we doing so far?

			SYDNEY
	It's hard to say at this point. So 
	far it's just your typical first date 
	stuff.

And all of a sudden an INCREDIBLE SOUND from inside the East 
Room--

--The Marine Corps Brass and Percussion Ensemble plays four 
ruffles and flourishes.

			SHEPHERD
	Damn. And I wanted to find a way to 
	be different from the other guys.

A BOOMING VOICE over the P.A. announces--

			VOICE (O.S.)
	Ladies and gentlemen, the President 
	of the United States.

And now -- the whole walk timing out with incredible precision --

			SHEPHERD
	By the way, nice shoes.

--SHEPHERD walks into the hall as the Brass and Percussion 
Ensemble plays HAIL TO THE CHIEF.

The 180 GUESTS come to their feet and applaud long and loud.

The GROUP following the President catches up to the spot 
where SYDNEY has stopped walking. They all join in the 
applause. We can see in SYDNEY's face that she's been quite 
swept up.

                                                      DISSOLVE TO:

INT. EAST ROOM - NIGHT

The room is beautifully appointed, with the Marine Corps 
Dance Band playing dinner music -- and the SECRET SERVICE 
strategically positioned.

                                                           CUT TO:

AT SHEPHERD'S TABLE

STEWARDS are clearing away the main course and refilling wine 
glasses.

In addition to the two main couples, and ESTHER MacINERNEY 
and TWO OTHER COUPLES are seated at the President's table.

			SYDNEY
	Mr. President, the President and Mrs. 
	D'Astier look bored. They're not 
	talking to anybody.

			SHEPHERD
	They're hammered. Esther, do you speak 
	French?

			ESTHER
	Latin.

			SHEPHERD
	I thought you spoke French.

			ESTHER
	No, Latin.

			SHEPHERD
	Great, next time Julius Caesar comes 
	to town, you're our gal. Sydney, I 
	don't suppose that you speak any--

			SYDNEY
	         (taking over-- 
	          to D'Astier)
	Monsieur le President, nous sommes 
	tous habilles, nous avons ce 
	merveilleux orchestre, une piece 
	magnifique...comment se fait-il que 
	les invites ne dansent pas?

			SHEPHERD
		   (proudly to A.J. and 
		    Esther)
	That's my date.

			D'ASTIER
	Je ne connais pas la tradition en 
	Amerique, mais dans mon pays, si les 
	invites de Louis XVI et Marie 
	Antoinette avaient ose danser devant 
	le roi et la reine, ils auraient 
	perdu la tete.

			SYDNEY
	Really?

			MADAME D'ASTIER
	Absolument.

			SHEPHERD
	Sydney, you didn't dissolve the NATO 
	treaty, did you?

			SYDNEY
	I just said that we're sitting in this 
	beautiful room, listening to the music 
	of this wonderful orchestra, and I 
	wondered why nobody was dancing.

			D'ASTIER
	And I informed Ms. Wade that in my 
	country, a guest at the palace of 
	Louis XVI and Marie Antoinette would 
	soon find their head in a guillotine 
	if they made the impertinent gesture 
	of dancing without so much as a 
	by-your-leave from the King and the Queen.

			A.J.
	I'll bet no one accused Louis of 
	being soft on crime.

			SYDNEY
	There's a lesson there, Mr. President.

			SHEPHERD
	More beheadings at the White House?

			A.J.
	Bob Rumson would embrace it.

			SHEPHERD
	I'm sure he would, but I have a 
	better idea.

SHEPHERD stands, holds out his hand to SYDNEY.

			SHEPHERD
		   (continuing)
	Would you like to dance?

			SYDNEY
	Uh, yeah, I guess. I mean, yes, sir, 
	I'd love to.

SHEPHERD and SYDNEY move to the dance floor, accompanied by 
the appreciative "oooh's" and "ahh's" of the GUESTS.

The dance band begins, and SYDNEY and SHEPHERD dance...

...beautifully.

                                                     CUT TO:

THE GUESTS

each and every one of them, have stopped all conversation and 
are fixating on this captivating sight. As we go around the 
room, we can observe the subtle reactions of, at first, 
various anonymous GUESTS, then

                                                     CUT TO:

A.J. AND ESTHER MACINERNEY,

holding hands smiling as they watch their old friend, and we

                                                     CUT TO:

RUMSON'S TABLE

where the Minority Leader's game face can barely conceal the 
gears that have slowly begun to turn in his head, as we

                                                     CUT TO:

SHEPHERD AND SYDNEY DANCING

			SYDNEY
	I don't know how you do it.

			SHEPHERD
	Arthur Murray. Six lessons.

			SYDNEY
	That's not what I mean. Two hundred 
	pairs of eyes are focused on you 
	right now, with two questions: 
	"Who's this girl, and why's our 
	president dancing with her?"

			SHEPHERD
	First of all, the 200 pairs of eyes 
	aren't focused on me. They're 
	focused on you. And the answers are 
	"Sydney Ellen Wade" and "Because she 
	said 'yes.'"

LEWIS AND ROBIN

looking on from the back of the room.

			LEWIS
	They make a nice couple.

			ROBIN
	Lovely.

			LEWIS
	We've got troubles.

			ROBIN
	Huge.

As PEOPLE start onto dance floor, we

                                                     CUT TO:

INT. A BLACK LIMOUSINE - NIGHT

as it pulls away from the White House and into the night. In 
the back, SYDNEY slips a shoe off and rubs her foot.

She smiles, then turns around to look out the back window as 
the White House slips out of view.

                                                     CUT TO:

INT. WHITE HOUSE - MORNING

SERIES OF SHOTS - DAY IN THE LIFE

                                                     CUT TO:

INT. OUTER OFFICE OF THE OVAL OFFICE - DAY

MRS. CHAPIL and JANIE are at their respective desks as 
SHEPHERD walks in.

			SHEPHERD
	Good morning, Mrs. Chapil.

			MRS. CHAPIL
	Good morning, Mr. President. Mr. 
	Rothschild and Miss McCall are in the 
	office, sir. They said they needed to 
	speak with you before scheduling.

			SHEPHERD
	Fine. Janie, can you get me the 
	number of a local florist?

			JANIE
	I'll take care of it, sir. Where do 
	you want them sent?

			SHEPHERD
	I want to do it myself. I just need 
	the phone number.

			JANIE
	I don't understand.

			SHEPHERD
	I want the phone number of a florist.

			JANIE
	You just want the phone number?

			SHEPHERD
	Yeah.

			JANIE
		   (beat)
	I don't understand, sir, is there--

			SHEPHERD
	I want to send some flowers, Janie. 
	I want to do it myself. I don't want 
	to staff it out, and I don't want to 
	issue an Executive Order. I just 
	want a phone number.

			JANIE
	I'll get it for you right away, sir.
	
			SHEPHERD
	Thank you.

He heads into the office.

                                                     CUT TO:

INT. THE OVAL OFFICE - DAY

where LEWIS and ROBIN are waiting anxiously.

			ROBIN
	Mr. President, we need five minutes 
	before scheduling if you can spare it.

			SHEPHERD
		   (to Robin)
	I just need two minutes to make a 
	call and I'll be right with you.

JANIE enters and hands SHEPHERD a piece of paper.

			SHEPHERD
		   (continuing)
	Thank you, Janie.

She exits.

			LEWIS
	Who are we calling, sir?

			SHEPHERD
	I'm calling the Organization of the 
	United Brotherhood of It's-None-of-
	Your-Damn-Business, Lewis. I'll be 
	with you in a minute.

			LEWIS
	Yes, sir.

LEWIS and ROBIN exit the Oval Office. SHEPHERD picks up the 
phone.

			SHEPHERD
		   (to the OPERATOR)
	Yeah, good morning. How do I get an 
	outside line? Really? That's simple. 
	Thank you.

SHEPHERD dials the phone number JANIE's given him.

                                                     CUT TO:

LEWIS and ROBIN

hovering near the outer office.

			LEWIS
	Janie?

			JANIE
	Yes?

			LEWIS
	What's the President doing?

			JANIE
	I'm sorry, I'm really not at liberty 
	to say.

                                                     CUT TO:

SHEPHERD ON THE PHONE

			SHEPHERD
		   (into phone)
	Tell me something. What is the state 
	flower of Virginia?

                                                     CUT TO:

THE OUTER OFFICE

			ROBIN
	Does this have something to do with 
	Sydney Wade?

			JANIE
	I'm really not at liberty to say.

                                                     CUT TO:

SHEPHERD AT HIS DESK

			SHEPHERD
		   (into phone)
	Is there someone else there who might 
	know?
		   (beat)
	No, I'm not trying to five you a hard 
	time, I was--hold on please.

THE OUTER OFFICE

SHEPHERD'S VOICE comes through on INTERCOM.

			SHEPHERD (O.S.)
		   (through intercom)
	Janie, what's the state flower of 
	Virginia?

			JANIE
		   (turning to MRS. 
		    CHAPIL)
	Mrs. Chapil. State flower of 
	Virginia.

			MRS. CHAPIL
	The dogwood.

                                                           CUT TO:

             SHEPHERD AT HIS DESK

			JANIE (O.S.)
		   (through intercom)
	The dogwood, sir.

			SHEPHERD
		   (to JANIE)
	Thank you.
		   (into phone)
	It's the dogwood.
		   (pause)
	What? Hold on please.
		   (to JANIE, through 
		    intercom)
	Janie, the dogwood is a tree, not a 
	flower.

                                                     CUT TO:

THE OUTER OFFICE

LEON KODAK walks by.

			KODAK
	It's a tree and a flower.

			JANIE
	Are you sure?

			KODAK
	Yes. What's going on?

                                                     CUT TO:

OVAL OFFICE

			JANIE (O.S.)
		   (through intercom)
	Sir, it's a tree and a flower.

			SHEPHERD
		   (into phone)
	The dogwood is both a tree and a 
	flower. I'd like a dozen, please. 
	Really? No dogwoods? How 'bout 
	roses? Simple. Classic. Two dozen 
	roses.

                                                     CUT TO:

THE OUTER OFFICE

			LEWIS
	Janie, I'm the President senior 
	domestic policy advisor. It's 
	important that I have a full 
	understanding of--

			SHEPHERD (O.S.)
	Janie! Do you have any idea where 
	my credit cards might be?

                                                     CUT TO:

SHEPHERD AT HIS DESK

			JANIE
	They're in storage in Wisconsin with 
	the rest of your personal items.

			SHEPHERD
	Ah.
		   (into phone)
	Listen, what might be better is if 
	you just bill me for the flowers. 
	I'm sure it'll be okay with your 
	boss. Well, I don't know if you 
	recognize my voice, but this is the 
	President.
		   (beat)
	The United States.
		   (they've hung up)
	Hello, hello...

                                                     CUT TO:

INT. LEO SOLOMON'S OFFICE - DAY

SYDNEY enters.

			SYDNEY
	Leo, you wanted to see me?

			LEO
	So there I was, thinking maybe I 
	should give Sydney a call. She's 
	new in town, doesn't know many 
	people...

LEO produces a copy of the morning paper, which has a photo 
of SHEPHERD and SYDNEY dancing.

			SYDNEY
	Leo--

			LEO
	Then I picked up the Times--

			SYDNEY
	It was crazy. He called me at home.

			LEO
	What's going on?

			SYDNEY
	Nothing. It was innocent. His 
	cousin got the flu at the last 
	minute.

			LEO
	Did you sleep with him?

			SYDNEY
	What?

			LEO
	Did you sleep--

			SYDNEY
	That's none of your business, Leo.

			LEO
	Yeah, it is, Sydney.

			SYDNEY
	You wanna tell me how my personal 
	life in any way--

			LEO
	Because when it's the President, it's 
	not personal. Sydney, I hired your 
	reputation. I hired a pit bull, not 
	a prom queen.

			SYDNEY
	That's unfair.

			LEO
	It's incredibly unfair. But you've 
	spent a lot of time over the year 
	telling me the trouble with the 
	environmental lobby is that we don't 
	understand the fundamental truth that 
	politics is perception. This is a 
	bad time to develop ignorance.

			SYDNEY
	You're making way too much of this.

			LEO
	Am I? This is your time, Sydney. 
	You're sitting at the grown-ups' 
	table. You have a chance to get 
	everything you want -- run a national 
	campaign, be a major player inside 
	the party. But this relationship had 
	better go all the way, because with 
	the leader of the free world there is 
	no halfway. Politics is perception, 
	and if thing don't work out, the 
	amount of time it'll take you to go 
	from being a hired gun to a cocktail 
	party joke can be clocked with an egg 
	timer.

There's a quick knock at the door -- Leo's SECRETARY steps in 
with a strange-looking package.

			SYDNEY
	Leo, there is no relationship. It 
	was one night. It's done.

			LEO'S SECRETARY
	Mr. Solomon, this was just delivered 
	by White House messenger. It's 
	marked "Perishable."

			LEO
	The White House has sent me something 
	perishable?

			LEO'S SECRETARY
	It's for Ms. Wade.

			LEO
	Here we go...

SYDNEY begins unwrapping the package.

			SYDNEY
	Relax, Leo. I'm sure it's just a 
	formality.

			LEO'S SECRETARY
		   (exited)
	It's from him.

			LEO
	Of course it's from him. 

			SYDNEY
	So he had some staff flunky send 
	me a fruit basket.

			LEO'S SECRETARY
	He wrote the note himself.

			SYDNEY
	I'm sure he didn't take the time to--

			LEO'S SECRETARY
	The messenger said he was waiting in 
	the Oval Office for ten minutes while 
	the President wrote the card.

			SYDNEY
	Okay, listen, so he--
		   (to LEO'S SECRETARY)
	--it took him ten minutes to write a 
	card?!

			LEO'S SECRETARY
	Apparently he went through several 
	drafts.

SYDNEY can't stifle her laugh -- she sees what the gift is.

			LEO
	What is it...what is it?

			SYDNEY
	A ham.

			LEO
		   (beat)
	A ham?

			SYDNEY
	He sent me a Virginia ham.

			LEO'S SECRETARY
	Dig it, Ms. Wade. You're the 
	President's girlfriend.

SYDNEY's smile fades away...she looks at LEO.

			LEO
	There's never an egg timer around 
	when you need one.

                                                     CUT TO:

EXT. THE NORTHWEST EXECUTIVE ENTRANCE - DAY

as the white-gloved MARINE snaps the door open for SYDNEY, 
and we

                                                  CUT TO:

INT. THE OVAL OFFICE - DAY

SHEPHERD is conferring with LEWIS and ROBIN.

			ROBIN
	Sir, they're gonna be pressing today 
	about whether the White House is 
	prepared to soften the assault 
	weapons section of the crime bill.

			LEWIS
	There is no need to entertain that 
	at this point.

			ROBIN
	How do you want me to handle the 
	Sydney issue?

			SHEPHERD
	The Sydney issue?

			LEWIS
	We should have a consensus on how the 
	White House is going to handle it.

			SHEPHERD
	I sure hope the Sydney issue refers 
	in some way to a problem we're having 
	with Australia, because if it's 
	anything else...

JANIE pokes her head in.

			JANIE
	Mr. President, Ms. Wade is here to 
	see you.

			SHEPHERD
	Tell her she can come right in. I'm 
	finished here.

			JANIE
	Yes, sir.

			SHEPHERD
		 (to LEWIS and ROBIN)
	There is no Sydney issue.

SYDNEY enters, crossing paths with LEWIS and ROBIN. They 
exchange pleasantries.

			SYDNEY
		   (to SHEPHERD)
	Thanks for seeing me on such short 
	notice.

			SHEPHERD
	No problem. Did you get the ham?

			SYDNEY
	I got the ham, yes. Thank you very 
	much.

			SHEPHERD
	I wanted to send you flowers, but 
	there seem to be some kinks in the 
	system. I'm really glad you stopped 
	by. I had such a good time last 
	night.

			SYDNEY
	So did I. It's just that...

JANIE enters.

			JANIE
	They're 45 seconds away, sir.

During the following, JANIE will go to the desk, pick up two 
briefing books and stick them in a briefcase and gather up 
his things -- all without interrupting the conversation a beat.

			SHEPHERD
	I'm delivering a luncheon speech at 
	the Governor's Conference this 
	morning. I'm sorry to--

			SYDNEY
	No, no, that's fine. I just stopped 
	by to...

			SHEPHERD
	Are you free for dinner tomorrow night?

			SYDNEY
	Dinner?

			SHEPHERD
	Casual. In the Residence. Without 
	the United Nations. My daughter'll 
	be with us, so it may seem like the 
	United--

			SYDNEY
	I'd love to meet Lucy, but...

An AIDE has slipped in and hands SHEPHERD a note.

			SHEPHERD
		   (reading to himself 
		   as he talks SYDNEY)
	She's gonna like you.
		   (calling to the AIDE)
	Excuse me -- Jeff!

			SYDNEY
	Actually, I have some concerns that--

The AIDE (JEFF) steps back in--

			JEFF
	Yes, sir.

			SHEPHERD
		   (reading the note)
	I can't do this.

			JEFF
	Which? Robbins or Stackhouse?

			SHEPHERD
	Either one. I have to be in and out.

			JEFF
	Sir, Governor Stackhouse said he just 
	needed 10 minutes. I think he wants 
	to talk about the assault weapons.

			SHEPHERD
	Stackhouse wants to talk about 
	grazing rights. Trust me.

			JEFF
	Got it.

And he's gone.

			SHEPHERD
		   (to Sydney)
	Sorry. You have concerns.

			SYDNEY
	Yes. Not many. A few. One. I have 
	one concern.

			SHEPHERD
	Does it having anything to do with 
	one of us being the President?

			SYDNEY
	You like to make jokes about this, 
	but--

			SHEPHERD
	I am not mocking you, honest. I'm 
	just a guy asking a girl over for a 
	meal.

And, as if from out of nowhere, a LOUD CLAAAMMERING, like the 
sound of a jackhammer against cement, comes from somewhere 
outside -- growing louder and closer --

			SYDNEY
	What's that?

			SHEPHERD
	My ride's here.

And, sure enough, coming into view outside the windows of the 
Oval Office, is MARINE-1, the President's helicopter. JANIE 
comes back in and helps him on with his coat and scarf.

			SYDNEY
	Leo Solomon has serious concerns 
	about my exploring a social, you 
	know, scenario, with the President 
	of the United States.

			SHEPHERD
	Yeah, well, when you put it that 
	way, it doesn't sound that great 
	to me either.

			SYDNEY
	It's just not--

			SHEPHERD
	Have dinner with Lucy and me. It's 
	meat loaf night -- how presidential 
	can it be?

As SHEPHERD rushes out...

			SHEPHERD
		   (continuing)
	Seven-thirty.

SYDNEY now stands alone in the OVAL OFFICE, trying to figure 
out what just happened.

                                                     CUT TO:

INT. WHITE HOUSE - SOUTH LAWN - DAY

Marine 1 lifting off the south lawn. TILT DOWN off night sky 
to reveal

EXT. WHITE HOUSE - NIGHT

                                                     CUT TO:

INT. SITTING HALL/THE RESIDENCE - NIGHT

A room designed more for comfort than for show, with its 
overstuffed couches.

Lucy enters.

			LUCY
	Are you Ms. Wade?

			SYDNEY
		(standing up, smiling)
	Sydney.

			LUCY
	Lucy Shepherd.

			SYDNEY
	Nice to meet you.

			LUCY
	My dad told me to tell you he's on 
	the phone with his dentist and that 
	I should behave myself and entertain 
	you till he gets here.

			SYDNEY
	Your father's on the phone with his 
	dentist?

			LUCY
	No. He told me to tell you he's on 
	the phone with his dentist. He wants 
	you to think he's a regular guy.

			SYDNEY
	Who is he on the phone with?

			LUCY
	The Prime Minister of Israel.

			SYDNEY
	They're probably not discussing his 
	teeth.

			LUCY
	No. They're talking about that 
	abbreviation I can never remember.

			SYDNEY
	C-STAD?

			LUCY
	Yeah.

			SYDNEY
	Capricorn Surface To Air Defense.

			LUCY
	Right.

SHEPHERD enters.

			SHEPHERD
	Let meat loaf night begin.

			SYDNEY
	Everything all right with your teeth?

			SHEPHERD
	My teeth?

			SYDNEY
	The dentist.

			SHEPHERD
	Oh, right. I've got a cavity in my 
	upper bicuspid region.

			SYDNEY
	You've got a short-range weapons 
	system outside Tel Aviv.

			SHEPHERD
		   (to LUCY)
	You turned on me.

			LUCY
	Can we eat?

                                                     CUT TO:

INT. A POSE HOUSE IN CHEVY CHASE - NIGHT

Two dozen limos and town cars line this suburban Maryland 
street, their drivers waiting patiently.

                                                     CUT TO:

INT. THE HOUSE IN CHEVY CHASE - NIGHT

A cocktail party is underway. This is a fat cat fundraiser 
for the Republicans.

			RUMSON (V.O.)
	You're over-thinking this.

                                                     CUT TO:

INT. THE LIBRARY - NIGHT

The look and feel of old money. Rumson is holding court with 
a half-dozen political insiders. Some smoke cigars; others 
sip their drinks.

			RUMSON
		   (continuing)
	Voters aren't interested in how to 
	achieve economic growth, and they 
	don't want to hear our plans to 
	strengthen foreign policy.

			STAFFER #1
	So it comes down to character.

			STAFFER #2
	The press like him, Senator. The 
	networks, the newspapers, they're--

			RUMSON
	Reporters like him. Networks and 
	newspapers like ratings and circulation. 
	For all the bitching we do about liberal 
	bias in the press when it comes down to 
	a character debate...

			STAFFER #3
	The press is an unwitting accomplice.

			CARL
	Bob, the character debate didn't work 
	out for us.

			RUMSON
	Because it couldn't. Our polling 
	told us that attacking his character 
	less than a year after he'd lost his 
	wife was gonna be a turn-off and was 
	gonna make people feel sorry for him. 
	We couldn't run the campaign we wanted 
	because the opponent was a widower.

			CARL
	He's still a widower. Time's passed, 
	but--

			RUMSON
		   (to the rest)
	You'll have to forgive my friend. 
	He's been on a hunting trip and cut 
	off from the world.

			CARL
	What's going on?

And four STAFFERS grab whatever newspaper is closest to their 
hand and toss them to CARL.

			RUMSON
	The President's got a girlfriend.

                                                     CUT TO:

INT. PRIVATE OFFICE/THE RESIDENCE - NIGHT

LUCY, SHEPHERD and SYDNEY are finishing up a game of Scrabble.

			SYDNEY
		   (to LUCY)
	Your dad says you're studying the 
	Constitutional Convention.

			SHEPHERD
	She's not having any fun, though.

			LUCY
	Dad--

			SYDNEY
	You're not having fun?

			LUCY
		   (to herself)
	This is a nightmare. This is a 
	social studies nightmare.

			SHEPHERD
	They're doing a mock Congress. Each 
	kid is playing one of the original 
	delegates, and they debate the 
	Amendments. Now what's not fun about 
	that?

LUCY gets up from the table and kisses her father.

			LUCY
	G'night, Dad.

			SHEPHERD
	G'night, sweetheart.

			LUCY
	It was nice meeting you, Mrs.--

			SYDNEY
	Sydney.

			LUCY
	It was nice meeting you, Sydney.

			SYDNEY
	Thank you. It was nice meeting 
	you.

			SHEPHERD
	Sleep well, honey. I love you.

			LUCY
	I love you, too.

LUCY leaves. SHEPHERD and SYDNEY are alone now.

			SYDNEY
	She's wonderful.

			SHEPHERD
	She's her mother.

			SYDNEY
	She's you.

After a pause...

			SHEPHERD
	Would you like the 25-cent tour?

                                                     CUT TO:

INT. THE EAST WING - NIGHT

This is the "museum" area of the White House, the part you 
see when you take the official tour. Only a few lights are 
lit, and while the SECRET SERVICE AGENTS give SHEPHERD plenty 
of breathing room when he's in the residence, we'll still 
catch a glimpse of one of them rounding a corner in the 
distance or checking a doorway ahead.

			SYDNEY
	I thought C-STAD wasn't gonna be 
	operational until January.

			SHEPHERD
	It was ready ahead of schedule. 
	We've just been waiting for the 
	personnel.

			SYDNEY
	The Israelis?

			SHEPHERD
	No, our guys. We've sent a team of 
	Army instructors to train the 
	Israelis.

SYDNEY and SHEPHERD enter the:

INT. THE CHINA ROOM - NIGHT

Named for its beautiful glass display cases featuring full 
place settings of the official White House china and 
silverware from every administration since Jackson.

			SHEPHERD:
		   (remembering)
	I think this is the dish room.

			SYDNEY
	It's not the dish--

			SHEPHERD
	Yeah, it is. It's the room with all 
	the dishes.

			SYDNEY
	It's the China Room.

			SHEPHERD
	I'm more of a West Wing President. 
	If you're curious about the mansion, 
	there's probably a book you can get--

			SYDNEY
	There're about seven-thousand books. 
	I'll get one for you.

SYDNEY's been walking slowly around the room, looking at the 
display cases, and as she gets near one of the large windows, 
she takes another step which drapes her in a shaft of 
incredibly flattering moonlight.

The vision isn't lost on SHEPHERD. They stare at each other 
for a moment.

			SHEPHERD
	Sydney.

			SYDNEY
	Mr. President -- have you ever noticed 
	how similar the Van Buren flatware is 
	to the Buchanan flatware?

			SHEPHERD
	Do you think there will ever come a 
	time when you can stand in a room 
	with me and not think of me as the 
	President?

			SYDNEY
	This isn't a state of mind. You are 
	the President. And when I'm in a 
	room with you, oval or any other 
	shape, I'm always gonna be a 
	lobbyist, and you'll always be the 
	President.

			SHEPHERD
	I got news for you, Sydney. As a 
	lobbyist, you would never be alone in 
	a room with the President.

This last statement is not lost on SYDNEY.

He moves toward her until they are both bathed in the 
moonlight. He puts his arms around her.

			SYDNEY
	You think this is a good idea?

			SHEPHERD
	Probably not.

They lean in to kiss each other. They barely make contact 
when...

			AGENT #3 (O.S.)
	Mr. President...

An AGENT is standing in the doorway -- SHEPHERD and SYDNEY 
break apart.

			AGENT #3
	We have a secure call from the sit-
	room.

SHEPHERD knows what that means.

			SHEPHERD
	Excuse me.

He moves out the door and into the corridor.

SYDNEY, knowing something's wrong, instinctively moves to 
follow him and be with him, but the AGENT hasn't moved from 
the doorway, so--

			AGENT #3
	Sorry, ma'am.

			SYDNEY
		   (beat)
	No...of course.

SHEPHERD comes back in.

			SHEPHERD
	Listen--

			SYDNEY
	Is anything wrong?

			SHEPHERD
	I'm sorry, we're going to have to cut 
	our evening short. The Libyans have 
	just bombed C-STAD. I'll try to call 
	you tomorrow.
		   (to the AGENT)
	Can you show Ms. Wade out.

SHEPHERD exits.

SYDNEY, alone for a second in the dish room, is finally 
approached by a SECRET SERVICE AGENT, who starts to escort 
her out.

			CHAIRMAN (V.O.)
	The response scenario's in place...

                                                     CUT TO:

INT. THE SITUATION ROOM - NIGHT

SHEPHERD, A.J., the SECRETARY OF STATE, the SECRETARY OF 
DEFENSE, and about a dozen or so Pentagon, Security Council, 
and Joint Chiefs OFFICIALS are doing exactly what they're 
trained for.

			CHAIRMAN
		   (continuing)
	...The F-18's are fired up on the 
	Kimitz and the Kitty Hawk. They're 
	just waiting for your attack order, 
	Mr. President.

			SHEPHERD
	And we're gonna hit Libyan 
	Intelligence Headquarters?

			MAN
	The N.S.A. confirmed they're the ones 
	who planned the bombing.

			A.J.
	What's the estimate?

			GENERAL
	We'll level the building.

			SHEPHERD
	Libyan I.H.Q's in the middle of 
	downtown Tripoli -- are we gonna hit 
	anything else?

			GENERAL
	Only if we miss.

			SHEPHERD
	Are we gonna miss?

			GENERAL
	No, sir.

			SHEPHERD
	How many people work in that building?

			CHAIRMAN
	We've been all through--

			SHEPHERD
	How many people work in the damn 
	building?

			DEPUTY
	I've got those number here. There 
	are three shifts, so it--

			SHEPHERD
	The fewest. What shift puts the 
	fewest people in the building? The 
	night shift, right?

			DEPUTY
	By far. Mostly custodial staff and 
	a few--

			SHEPHERD
	What time does the night crew go on?

			DEPUTY
	They're on now, sir.

			SHEPHERD
	A.J.?

			A.J.
	It's immediate, it's decisive, it's 
	low risk, and it's a proportional 
	response.

			SHEPHERD
	Someday somebody's going to have to 
	explain to me the virtue of a 
	proportional response.

There's a SILENCE. SHEPHERD gets up and starts to head out 
the door.

			CHAIRMAN
	Mr. President?

			SHEPHERD
	Attack.

                                                     CUT TO:


INT. OVAL OFFICE - NIGHT

SHEPHERD is with A.J., LEWIS, ROBIN, KODAK and a couple of 
AIDES, all of whom look as though they've been called out of 
their homes in the middle of the night.

			A.J.
	Robin, as soon as our planes have 
	cleared Libyan airspace, you can call 
	the press. I don't know when we'll 
	have the full B.D.A.--

			LEWIS
	General Rork says around O-Eight 
	Hundred.

			ROBIN
	Sir, what do you think about a 
	national address?

			SHEPHERD
	The last thing I want to do is put 
	the Lybians center stage.

			KODAK
	I think it's a great idea, sir. You 
	know Rumson's gonna be talking about 
	your lack of military service.

			SHEPHERD
	This isn't about Rumson. What I did 
	tonight was not about political gain.

			KODAK
	But it can be, sir. What you did 
	tonight was very presidential.

			SHEPHERD
	Leon, somewhere in Libyan right now 
	there's a janitor working the night 
	shift at the Libyan Intelligence 
	Headquarters. He's going about his 
	job 'cause he has no idea that in 
	about an hour he's gonna die in a 
	massive explosion. He's just going 
	about his job 'cause he has no idea 
	that an hour ago I gave an order to 
	have him killed. You just saw me do 
	the least presidential thing I do.
	
			KODAK
	yes, sir.

			PRESS (V.O.)
	Mr. President...Mr. President!

                                                     CUT TO:

INT. THE WHITE HOUSE PRESS BRIEFING ROOM - DAY

SHEPHERD is at the podium taking questions. He's flanked by 
his PENTAGON STAFF. A.J. and LEWIS stand to the side. ROBIN 
stands out of the way.

			SALLY
	Is there anything at all about the 
	C-STAD weapons system that could have 
	been mistaken by Libyan Intelligence 
	as offensive rather than defensive?

			SHEPHERD
	No. We did everything but show them 
	the blueprints. The hardware was 
	sitting in a airplane hangar for a 
	month. They didn't hit it until the 
	American personnel got there. Leslie.

			LESLIE
	Sir, there's an unconfirmed report 
	that you were with Sydney Wade when 
	you learned of the attack. Can you 
	comment?

			A.J.
		   (sotto to ROBIN)
	Get him off.

			SHEPHERD
	Yes, we'd just finished dinner.

			ROBIN
	Last question.

			MARK
	Sir, would you care to comment on 
	the status of your relationship?

			SHEPHERD
	We don't have a relationship. We 
	just had dinner.

			CAROL
	Can you tell us if she spent the 
	night at the White House or did--

			SHEPHERD
	Folks, a lot of people got killed 
	last night. Let's try to keep our 
	eyes on the ball, okay?

SHEPHERD is herded out of the briefing room amidst a chorus 
of "Mr. President" 's.

                                                     CUT TO:

INT. THE WHITE HOUSE CORRIDOR - DAY

SHEPHERD walks away from the briefing room with ROBIN. JANIE 
joins him.

			ROBIN
	That was my fault, sir. We should 
	have prepped you for that.

			SHEPHERD
	There's nothing that needs prepping. 
	A.J., let's meet with the leadership 
	after we meet with the Security 
	Council.

			ROBIN
	"Newsweek" is begging for ten minutes 
	today. Any ten minutes you got.

			SHEPHERD
	Nobody gets ten minutes today.

                                                      DISSOLVE TO:

INT. SHEPHERD'S PRIVATE OFFICE - NIGHT

SHEPHERD sits at his desk, is on the phone. A TELEVISION 
NEWSCAST is doing a report on Congressional reaction to the 
events of the day. ROB RUMSON is talking.

			SHEPHERD
	Lewis, tell the speaker to wait. 
	I want to talk to him. No, I'll be 
	right down.

			RUMSON
	...Last night, the price of his 
	liberal programs was raised to 
	include the blood of 22 American 
	soldiers.

He hangs up. On the TV, we see a quick sound bite from RUMSON.

			RUMSON
	...Mr. Shepherd's read a lot of 
	books, but you didn't need a Harvard 
	degree to see this comin' a mile down 
	the road.

			SHEPHERD
	I went to Stanford, you blowhole.

			RUMSON
	The fat that our Commander-in-Chief 
	has not served one day in uniform--

SHEPHERD clicks off the TV and then stares at

A SLIP OF PAPER THAT SAYS "SYDNEY"

                                                     CUT TO:

EXT. SYDNEY'S APARTMENT - NIGHT

			BETH (V.O.)
	This box just says "Miscellaneous." 
	Is this bedroom miscellaneous or 
	kitchen miscellaneous?

INT. SYDNEY'S APARTMENT - NIGHT

SYDNEY and BETH have been getting SYDNEY moved in. BETH is 
holding a carton.

			BETH
	Sydney?

			SYDNEY
	Why did I have to kiss him?

			BETH
	You kissed him?

			SYDNEY
	Yeah.

			BETH
	You didn't' tell me that.

			SYDNEY
	I kissed him.

			BETH
	Where?

			SYDNEY
	On the mouth.

			BETH
		   (exasperated)
	Where in the White House?!

			SYDNEY
	In the dish room.

			BETH
	The dish room?

			SYDNEY
	The China Room.

			BETH
	Then what happened?

			SYDNEY
	He had to go and attack Libya.

			BETH
	It's always something.

			SYDNEY
	I've gotta nip this in the bud. This 
	has catastrophe written all over it.

			BETH
	In what language?! Sydney, this man 
	is the leader of the free world. 
	He's brilliant, he's funny, he's 
	handsome, and he's an above-average 
	dancer. Isn't it possible our 
	standards are just a tad high?

The PHONE RINGS--

SYDNEY freezes.

The PHONE RINGS again.

			BETH
		   (continuing)
	Answer the phone.

			SYDNEY
	It's him.

			BETH
	Answer the phone.

			SYDNEY
	He's gonna ask me to come over 
	there.

			BETH
	Answer the phone.

			SYDNEY
	I don't want to go over there.

			BETH
	Answer the phone.

			SYDNEY
	All right. But I'm gonna end it 
	on the phone. I'm not gonna go 
	over there.
                                                       CUT TO:

INT. SHEPHERD'S BEDROOM - NIGHT

SHEPHERD opens his door, revealing SYDNEY. Agent COOPER is 
letting her in.

			SYDNEY
	I just came over here to tell you 
	why I can't see you anymore.

			SHEPHERD
		   (to COOPER)
	Thanks, Coop.

SHEPHERD closes the door.

			SYDNEY
	Look, I know you've had a tough 
	day.

			SHEPHERD
	Not as tough as some. You want a 
	drink? Lemme take your coat.

But SYDNEY doesn't take her coat off.

			SYDNEY
	Mr. President, this isn't gonna work.

			SHEPHERD
	Sure it will. You button the top 
	button, and it doesn't fall off 
	the hanger.

			SYDNEY
	That's not what I...

			SHEPHERD
	I didn't think so. Listen...

			SYDNEY
	I've really enjoyed the time we've 
	spent together, but this has 
	catastrophe written all over it. 
	Please, Mr. President, don't pursue 
	me outside the political arena.

			SHEPHERD
	Well, I have no intention of pursuing 
	you inside the political arena, so 
	that leaves everything out, and 
	that's unacceptable to me.

			SYDNEY
	If I were on your staff, I would tell 
	you that the absolute worst thing you 
	can do coming into an election year 
	is to open yourself up to character 
	attacks, and the fastest way to do 
	that is to prance around like the 
	playboy of the Western world.

			SHEPHERD
	Let's clear up a couple of things. 
	Number 1: I seldom prance. 
	Number 2: I have no intention of 
	engaging in a character debate, and 
	Number 3: You're not on my staff.

			SYDNEY
	Yes, of course, but if you'll follow 
	the immutable--

			SHEPHERD
	Why is that, by the way?

			SYDNEY
	Why's that?

			SHEPHERD
	Why aren't you on my staff?

			SYDNEY
	You can't afford me.

			SHEPHERD
	How much do you make?

			SYDNEY
	More than you do, Mr. President.

			SHEPHERD
	The name's Andy. How much money do 
	you make?

			SYDNEY
	What the hell does it matter how 
	much money I--

			SHEPHERD
	You would raise your voice to the 
	President?

			SYDNEY
	I'm only thinking about the health 
	of your Presidency. You think this 
	morning's press conference was the 
	end of it? Bob Rumson's gotta be 
	drooling over this.

			SHEPHERD
	Are you attracted to me?

			SYDNEY
	I beg your pardon?

			SHEPHERD
	I asked if--

			SYDNEY
		    (of course she is)
	That's not the issue--

			SHEPHERD
	Well, I tell you what. Let's make 
	it the issue. Let's try something 
	new, 'cause I know that most couples, 
	when they're first getting together, 
	are inclined to slam on the brakes 
	because they're concerned about Bob 
	Rumson's drool.

			SYDNEY
	You're not most people.

			SHEPHERD
	You know what your problem is?

			SYDNEY
	What's my problem?

			SHEPHERD
	Sex and nervousness.

			SYDNEY
	Sex and nervousness is my problem.

			SHEPHERD
	Yes. Last night when we were 
	looking at the different place 
	settings in the dish room, I 
	realized that those place settings 
	were provided by the First Ladies. 
	And I'll bet none of those First 
	Ladies were nervous about having 
	sex with their President husbands. 
	And you know why?

			SYDNEY
	No, but I'm sure you'll explain it 
	to me.

			SHEPHERD
	I will. Because they weren't 
	presidents when they met them. Not 
	the case here.

			SYDNEY
	Ahhhhhh.

			SHEPHERD
	You see what I'm getting at?

			SYDNEY
	Yes. May I use your bathroom for a 
	moment?

			SHEPHERD
	Sure. It's right through there.

			SYDNEY
	I want to freshen up.

			SHEPHERD
	As you pass through, you'll see a 
	large closet on your left. And if 
	you feel comfortable, hang up your 
	coat, and when you come back I'll 
	have fixed up a drink, we'll sit on 
	the couch, and I will explain to 
	you my plan.

			SYDNEY
	You have a plan? Don't make me 
	wait. You're on a roll.

SYDNEY disappears into the BATHROOM/DRESSING ROOM area. 
SHEPHERD keeps talking as he goes to the bar and makes a 
couple of drinks.

			SHEPHERD
		   (speaking up)
	Okay. You're attracted to me, but 
	the idea of physical intimacy is 
	uncomfortable because you only know 
	me as the President. It's not always 
	gonna be that way, and the reason I 
	know that is because there was a 
	moment last night when you were with 
	me and not the President, and I know 
	what a big step that was for you. 
	So, Sydney, I'm in no rush. Here's 
	my plan: We're gonna slow down. 
	When you're comfortable, that's 
	when it'll happen.

SYDNEY comes back into the room...she's wearing one of 
SHEPHERD's dress shirts and nothing else. She walks toward 
him.

			SHEPHERD
		   (continuing)
	Perhaps I didn't properly explain 
	the fundamentals of the "Slow Down" 
	plan.

			SYDNEY
	You explained it great.

She moves closer to him.

			SHEPHERD
		   (pause)
	Are you nervous?

			SYDNEY
	No.

			SHEPHERD
	Good. My nervousness exists on 
	several levels. Number 1 -- and 
	this is in no particular order -- 
	I haven't done this in a pretty 
	long time. Number 2: Any expectations 
	you might have, due to the fact that 
	I'm, you know...

			SYDNEY
	The most powerful man in the world?

			SHEPHERD
	Exactly, thank you. Just so you 
	remember that's a political 
	distinction that comes with the 
	office. I mean, if Eisenhower were 
	here instead of me he'd be dead by 
	now. And number three...

			SYDNEY
		   (gently)
	Andy...

They're both standing, facing each other...

They gently kiss. They just stay with it until it becomes 
easier and better and exactly what they want.

			RUMSON (V.O.)
	Does New Hampshire want traditional 
	American values back in the White 
	House?

			CROWD
	Yes!!

                                                     CUT TO:

INT. AN ELKS LODGE - NIGHT

A crowd of 300 or so is being whipped into a frenzy. 
Rumson's bringing it home under a campaign banner 
proclaiming: THE PRIDE IS BACK -- BOB RUMSON.

			RUMSON
	Does New Hampshire want the pride back?

The CROWD goes nuts upon hearing Rumson's signature phrase--

			CROWD
	Yeah!!!!!!!

			RUMSON
	My name is Bob Rumson. And I'm 
	running for President.

And as the CROWD loses its mind, we

                                                     CUT TO:

EXT. WHITE HOUSE - DAWN

                                                     CUT TO:

INT. SHEPHERD'S BEDROOM - MORNING

It is very early, and SHEPHERD is still asleep. As we PULL 
BACK, WE REVEAL that he is alone in his bed. The PHONE RINGS.

SHEPHERD picks it up--

			SHEPHERD
		   (into phone)
	Yeah...put him through.
		   (listens)
	Lewis, it is 5:00 a.m. You gotta 
	get yourself a life, man.
		   (listens)
	Yeah...all right.

He hangs up the phone and looks around the room, only to 
notice SYDNEY is tiptoeing around in the dim light, trying 
to quietly dress herself and gather up her things. SHEPHERD 
watches this odd spectacle for a moment before he says--

			SHEPHERD
		   (continuing)
	Sydney?

SYDNEY turns around.

			SYDNEY
	Hi.

			SHEPHERD
	What are you doing?

			SYDNEY
	I wanted to leave the building before 
	the press corps got here.

			SHEPHERD
	I have those same thoughts every day 
	of my life. Say, you know Lewis 
	Rothschild, don't you? Well, he's...

			SYDNEY
	Sure. Boy, Lewis'd go nuts if he 
	knew I'd spent the night.

There's a KNOCK on the door.

			SHEPHERD
	...on his way up.

			SYDNEY
	What?

			SHEPHERD
	Come on in, Lewis.

LEWIS comes in--

			LEWIS
	'Morning, Mr. President. Hi, Sydney.

			SYDNEY
	Hi, Lewis. Well, Mr. President, 
	thank you for taking the time to go 
	over those fossil fuel numbers. I'll 
	just get my coat, and be on my way.

SHEPHERD laughs at SYDNEY's purposely lame try--

			SHEPHERD
		   (to LEWIS)
	What's the situation?

			LEWIS
	They're camped out at every exit.

			SYDNEY
	Who? Who's camped out?

			LEWIS
	The press.

			SYDNEY
	The press is camped out?

			LEWIS
	You shoulda taken a cab, Sydney.

			SYDNEY
	They know my car?!

ROBIN enters.

			ROBIN
	Good morning, Mr. President. Hi, 
	Sydney. I came over as soon as Lewis 
	called.

			SHEPHERD
	Thank God.

			ROBIN
	I think the important thing is not 
	to make it look like we're panicking.

			SHEPHERD
	See, and I think the important thing 
	is actually not to be panicking.

A.J. KNOCKS on the open door and walks in.

			A.J.
	Good morning, Mr. President. Good 
	morning, Ms. Wade. I see everyone's 
	getting an early start today.

			LEWIS
	How do we exit Sydney from the 
	building and what do we say to the 
	press at that point?

			ROBIN
	We need a diversion.

			SYDNEY
	A diversion.

			ROBIN
	You understand that by diversion 
	I'm not saying we set the White 
	House on fire.

			SHEPHERD
	No, please, let's do.

			LEWIS
	Can I state very clearly that I 
	can't be party to anything illegal.

			A.J.
	Good for you, Lewis.

			LEWIS
	Say what you want, but it's always 
	the guy in my job that ends up doing 
	eighteen months in Danbury Minimum 
	Security Prison.

			SHEPHERD
	Rest easy, Lewis. We're not creating 
	a diversion.

			ROBIN
	No diversion.

			SHEPHERD
		   (to SYDNEY)
	We'll have somebody take you home.

			A.J.
	Esther's over in my office. She's 
	got the station wagon outside.

SHEPHERD regards A.J. for a moment...clearly the man planned 
ahead.

			LEWIS
	Okay. Good. Now, the press 
	statement.

			SHEPHERD
		   (to SYDNEY)
	Sydney, when you leave here, you're 
	gonna run into reporters and 
	photographers. Your picture's gonna 
	be taken every day, and you're gonna 
	be asked questions every day. Answer 
	them, don't answer them -- it's 
	entirely up to you. The White House 
	has no official position except to 
	say "no comment."

			ROBIN
	No comment?

			SHEPHERD
	The White House doesn't comment on 
	the President's personal life.

			LEWIS
	We can't just leave it at that, sir.

			SHEPHERD
	I tell you what, Lewis, we just did.

			LEWIS
	But, sir...

			A.J.
		   (the meeting's over)
	Thank you, Mr. President.

LEWIS, ROBIN and A.J. say their "Thank you, Mr. President"'s 
on the way out ...

			A.J.
		   (continuing)
	Sydney. Esther'll be in my office. 
	You take your time.

			SYDNEY
	Thanks, A.J.

A.J. leaves...

			SHEPHERD
	I'm sorry about all this. We'll do 
	it better next time.

			SYDNEY
	I'm no expert, but I thought we did 
	it pretty good this time.

			SHEPHERD
	No, I mean...

			SYDNEY
	I know. I had a good time.

			SHEPHERD
	Me, too. I'll call you. I'll be in 
	Panama, but I'll call you.

			SYDNEY
	I'd like that.

SYDNEY gives him a good-bye kiss...

			SYDNEY
		   (continuing)
	Bye.

She exits the bedroom.

			SHEPHERD
	All right...okay...this is good.

                                                     CUT TO:

A SERIES OF SHOTS - DAY/NIGHT

AS we move through a series of quick DISSOLVES, all M.O.S., 
we HEAR in VOICE-OVER the sounds of American's electronic 
media -- network news, news magazines, gossip shows, talk 
radio, political round tables, etc. -- dissecting the 
"Girlfriend Factor."

INT. FOSSIL FUEL WAR ROOM - DAY

SYDNEY and the TEAM are in full gear. Lisa rips off another 
vote on the tote board, making it "14 Votes in 51 Days."

			REPORTER #1
	Sydney Ellen Wade, the political 
	strategist who accompanied President 
	Shepherd to last week's state dinner, 
	reportedly spent the night at the 
	White House as a guest of--

                                                      DISSOLVE TO:

INT. CRIME BILL WAR ROOM - DAY

The tote board reads "8 Votes in 45 Days." KODAK is pointing 
to a spot on an electoral map to emphasize a point to a young 
INTERN.

			REPORTER #2
	The President returned from Panama 
	this evening after a three-day tour 
	through Central America. His first 
	order of business: An intimate 
	supper with Sydney Wade at a romantic 
	Georgetown bistro.

                                                      DISSOLVE TO:

INT. BISTRO - NIGHT

SHEPHERD and SYDNEY are sharing what seems to be an intimate 
candlelit dinner. We PULL BACK TO REVEAL a restaurant packed 
with SECRET SERVICE, and PRESS outside police barricades, 
shooting through the windows of the restaurant.

			REPORTER #3
	Conservative and religious family 
	organizations are starting to smell 
	blood in the water as--

                                                      DISSOLVE TO:

INT. LUCY'S BEDROOM - NIGHT

Lucy is giving a little trombone recital for SHEPHERD and 
SYDNEY. SYDNEY cheers madly at the end of the piece, giving 
Lucy a big hug for her effort.

			RADIO GUY (V.O.)
	All right, caller, you're on the air.


			CALLER (V.O.)
	Dan, what about Lucy Shepherd? Is 
	anyone concerned about this little 
	girl? Can we now finally have a 
	serious debate about family values?

EXT. SYDNEY'S APARTMENT - DAY

SYDNEY exits her apartment and is once again hounded by the 
press.

			SCHLOCK TALK SHOW HOST (V.O.)
	We're gonna take a commercial break. 
	When we come back, we're gonna meet 
	a junior high school classmate of 
	Sydney Wade's, who says--

                                                           CUT TO:

EXT. NASHUA, NEW HAMPSHIRE, CITY HALL - DAY

Rumson's getting the pride back into a couple of hundred 
innocent bystanders.

			SHOWBIZ REPORTER (V.O.)
	...Showbiz Weekly was in Hollywood 
	for the star-studded gala. Also on 
	tonight's program: Day 15 of the 
	Sydney Watch. Is the world's most 
	eligible bachelor off the market?

EXT. GDC BUILDING - NIGHT

SYDNEY exits the building and is mobbed by the press.

			JOHN McLAUGHLIN TYPE (V.O.)
	Political polling analyst Ed Earl, 
	with the President's job approval 
	taking an eight-point dip from his 
	personal best of 63 percent three 
	weeks ago, should the White House be 
	concerned that the Girlfriend Factor 
	has left Shepherd vulnerable to the 
	kinds of character questions he was 
	able to avoid three years ago?

			ED EARL (V.O.)
	Well, if they're not concerned, they 
	sure oughta be.

			RADIO GUY

INT. PRESS BRIEFING ROOM - DAY

ROBIN is hearing a question she's been asked 88 times 
already. She keeps her cool as best she can and merely 
shrugs her shoulders and shakes her head "no."

			JOHN McLAUGHLIN TYPE (V.O.)
	Columnist Cynthia Skyler, how much 
	will this new wrinkle affect his 
	ability to put together a win on his 
	crime bill?

EXT. MANCHESTER RAMADA - NIGHT

Establishing shot of the Ramada.

EXT. A SUITE AT THE MANCHESTER RAMADA - NIGHT

Rumson and his STAFF are buzzing about amid room service 
tables and late-night take-out as STU enters the room with 
a manila envelope in his hand.

			RUMSON
		   (into phone)
	I agree a hundred and ten percent, 
	Mrs. Harper. That's why I'm up here 
	in the dead of winter talkin' about 
	it with you folks.

Rumson is signaling for an AIDE to take over his phone call.

			RUMSON
		   (continuing; 
		    into phone)
	That's very generous of you, ma'am, 
	and I'm gonna take that money off 
	your hands right now.

He hands off the phone--

			RUMSON
		   (continuing)
	What do you got for me, Stu?

			STU
	Call me Santa Claus, Senator.

Several TOP AIDES join this slightly confidential conversation.

			STU
		   (continuing)
	She's got an FBI file.

			RUMSON
	Shit, Stu, my mother's got an FBI 
	file.

RUMSON starts to walk away when STU pulls an 8x10 photo from 
the manila folder.

			STU
	I've got art.

RUMSON comes back. STU hands him the photo.

			STU
	It's a demonstration outside the 
	Department of Commerce. The 
	picture's old, and a lot of the faces 
	are obscured by the smoke, but this 
	is Sydney right there in front.

			RUMSON
		   (staring at the photo)
	Oh man...tell me the smoke is coming 
	from what it looks like it's coming 
	from.

			STU
	Yes, sir -- it's burning flag.

RUMSON gives it one last look, passes it back to STU, and 
turns back to his phone.

			RUMSON
		   (singing softly)
	"It's beginning to look a lot like Christmas..."

                                                     CUT TO:

INT. FOSSIL FUEL WAR ROOM - DAY

A few more young INTERNS have been added, and most are hard 
at work on the phones -- ("___ from the Global Defense 
Council. We're encouraging voters in your area to phone or 
write your Congressman regarding...etc.")

The tote board now reads "11 Votes in 42 Days." David is 
supervising things while SYDNEY is trying to lose her 
patience on the phone.

			SYDNEY
		   (into phone)
	I understand, Congressman...Of 
	course you need to deliberate. 
	I know the fact that there isn't 
	any heavy industry in your district 
	doesn't make this decision any 
	easier. But we met three weeks ago, 
	and at the end of that meeting you 
	said that you were leaning our way 
	but that you wanted to sleep on it. 
	Since I haven't heard from you since 
	then, the only conclusion I can 
	reach is that you haven't slept in 
	21 days.

			DAVID
		   (to SYDNEY)
	Ask him about his position on 
	stateboard for Hawaii.

SYDNEY wads up some paper and flings it at David to shut him 
up.

			SYDNEY
		   (into phone)
	Harry, think like a father for a 
	second. Wouldn't you like your 
	kids to be able to take a deep 
	breath when they're 30? Thank you. 
	You're doing the right thing.

She hangs up.

			SYDNEY
		   (continuing; 
		    announcing)
	Tote board's heavy.

The room CHEERS, knows what this means. DAVID rips off the 
11, revealing 10.

			DAVID
	How's this?

			SYDNEY
	That's better!

Everyone gets back to work as SYDNEY and DAVID speak among 
themselves.

			DAVID
	Hey, Syd, I saw on your schedule 
	you're gonna meet with McSorley, 
	McCluskey and Shane.

			SYDNEY
	Yeah, the Motown Three said they'd 
	give me 30 minutes next week.

			DAVID
	Sydney, these are people who 
	represent people who make cars for 
	a living.

			SYDNEY
	Yeah.

			DAVID
	Cars, you understand, run on gasoline.

			SYDNEY
	Hey, I know it's a long shot, but if 
	I can get one of them, it'll be a 
	huge payoff in visibility.

			DAVID
	Well, if we're gonna try, we should 
	do some prep work. You wanna order 
	in?

			SYDNEY
	I can't work tonight. I'm having 
	dinner at the White House. We can 
	start early tomorrow.

			DAVID
	Okay. I'm having lunch at the 
	Kremlin, so we'll have to, you know, 
	start real early...

			SYDNEY
		   (exciting)
	Good night, David.

			DAVID
	...in order for me to catch the 
	morning plane to Moscow.

                                                     CUT TO:

EXT. THE WEST WING - DUSK

The President's motorcade sits in its formation, engines 
running, waiting for its passenger.

                                                     CUT TO:

INT. THE OVAL OFFICE - DUSK

JANIE and a couple of AIDES are in a familiar routine, doing 
their last-minute scrambling to get the President out the 
door so that he doesn't fall behind his usual "45-minutes-
behind-schedule" schedule. SHEPHERD is on the phone at his 
desk.

			SHEPHERD
		   (into phone)
	Douglas, does the N.R.A. have 
	videotapes of you playing golf with 
	Satan? We've already softened the 
	assault weapons. We're leaving the 
	SKS, the mini 14, and about 250 other 
	types on the street. I mean, how 
	much pull can one lobby--

JANIE catches SHEPHERD's eye and makes a subtle gesture to 
her wristwatch.

			SHEPHERD
		   (continuing; 
		    into phone)
	--Yeah, look, we're gonna continue 
	this tomorrow. I'm late for the 
	party fund-raiser. I'll be sure 
	and put in a good word for you, 
	by the way.
		   (listens)
	Okay.

He hangs up.

			JANIE
	You're incredibly late.

They head to door as A.J. enters from the other side of the 
office.

			A.J.
	Mr. President. I just got off the 
	phone with the Federal Mediator in 
	St. Louis. Management just walked 
	away from the table. The baggage 
	handlers, pilots and flight 
	attendants are getting set to walk in 
	48 hours.

			SHEPHERD
	I studied under a Nobel-Prize-Winning 
	economist. You know what he taught 
	me?

			A.J.
	Don't have a airline strike at 
	Christmas?

			SHEPHERD
	Yeah. I'm going to St. Louis.

			A.J.
	You can leave straight from the fund-
	raiser. Janie, get him outta here.

			SECRET AGENT #4
		   (sotto)
	Liberty's moving.

                                                     CUT TO:

EXT. THE WEST WING - NIGHT

SHEPHERD is getting into the limo when LEWIS and ROBIN hurry 
out to catch him.

			ROBIN
		   (calling)
	Sir...

			JANIE
	He's incredibly late.

			SHEPHERD
		   (to LEWIS and ROBIN)
	Hop in. We'll talk in the car.

As they do they're told, and the motorcade gets on its way.

                                                     CUT TO:

INT. SHEPHERD'S CAR - CONTINUOUS

			LEWIS
	We've got a small problem.

			ROBIN
		(meant for LEWIS)
	It could've been a small problem. 
	It's now at the very least a medium-
	sized--

			LEWIS
	Robin sees it as a problem. I see it 
	as a opportunity.

			ROBIN
	It could've been an opportunity 
	if we'd caught it...

			LEWIS
	We caught it.

			ROBIN
	At 5:45. Five-forty-five doesn't do 
	me any good, Lewis. Five-forty-five, 
	network news is in makeup.

			LEWIS
	You've got 14 people working for you. 
	Did any of them--

			SHEPHERD
	Guys, do I have to be here for this 
	meeting?

			LEWIS
	I'm sorry, sir. It's the evening 
	news. It was buried as the third 
	story--

			ROBIN
	--It's got a bullet.

			LEWIS
	Sydney was at a protest rally where 
	they burned a flag.

			SHEPHERD
		   (pause)
	Today?

			LEWIS
	About 13 years ago.

			ROBIN
	Outside the Department of Commerce. 
	Anti-apartheid.

			SHEPHERD
	Let me see if I've got this: The 
	third story on the news tonight was 
	that someone I didn't know 13 years 
	ago, when I wasn't President, 
	participated in a demonstration where 
	no laws were being broken in protest 
	of something that so many people were 
	against it doesn't exist anymore?
		   (beat)
	Just out of curiosity, what was the 
	fourth story?

			LEWIS
	See, I think it's important, when we 
	deal with it, that we--

			SHEPHERD
	Don't deal with it.

			LEWIS
	Excuse me?

			SHEPHERD
	They're trying to get us to swing at 
	a pitch in the dirt. No one ever 
	wins these fights. It'll go away.

			LEWIS
	I'm not sure that's the wisest--

			SHEPHERD
	Aw...hell!

			ROBIN
	See, it's already distracting you. 
	Why don't you let A.J. and Lewis--

			SHEPHERD
	No, you reminded me, I'm supposed to 
	have dinner with Sydney tonight.

                                                     CUT TO:

INT. SYDNEY'S APARTMENT - NIGHT

SYDNEY and BETH stand in front of a full-length mirror. 
SYDNEY's holding a dress to herself to check it out.

			SYDNEY
	It's terrific, Beth. I love it.

			BETH
	I can't believe I'm loaning you 
	clothes. I thought you owned every 
	piece of clothing there was.

			SYDNEY
	Work clothes. I always have dinner 
	at the White House wearing a suit. 
	I thought a dress would be nice.

			BETH
	Go ahead, try it on. I brought 
	earrings, too.

The PHONE RINGS. SYDNEY answers it--

			SYDNEY
		   (into phone)
	Hello...
		   (listens)
	I'm just trying on dresses. How do 
	you feel about leather?

                                                     CUT TO:
	
INT. SHEPHERD'S CAR - NIGHT

SHEPHERD's on the phone to SYDNEY.

			SHEPHERD
		   (into phone)
	I feel terrible, but I have to 
	cancel our date tonight.

			SYDNEY
	Another woman?

			SHEPHERD
	No, I've gotta go to St. Louis and 
	avert a massive airline strike.

			SYDNEY
	Boys, if I had a nickel for every 
	time I heard that one.

			SHEPHERD
	Thanks for understanding. I'll call 
	you tonight

SHEPHERD hangs up the phone.

			SHEPHERD
	Boy, I hate doing that. She was 
	trying on dresses.

			LEWIS
	I tell any girl I'm going out with to 
	assume that all plans are soft until 
	she receives confirmation 30 minutes 
	beforehand.

			ROBIN
	And they find this romantic?

			LEWIS
	Well, I say it with a great deal of 
	charm.

SHEPHERD sees something out the window and gets excited.

			SHEPHERD
	Look! Look! There it is! Carmen's 
	House of Flowers! We gotta stop.

			LEWIS
	What?

			SHEPHERD
	I gotta get her flowers.

			LEWIS
	Here?!

			ROBIN
	Now?!

			SHEPHERD
	I broke our date. This is what men 
	do.

			ROBIN
	It's not what men do. I know no men 
	who do that.

			SHEPHERD
	Coop, I'm gonna hop out at that 
	flower shop.

			AGENT COOPER
	You're gonna hop out, sir?

			LEWIS
	No, he's not hopping. Sir, no 
	hopping. Stay in the car. I'll get 
	the flowers.

			SHEPHERD
	Then it's not personal.

			LEWIS
	Let the agents do a security sweep. 
	We don't know who's in there.

			SHEPHERD
	You think there's a florist who's 
	planning an assassination on the 
	off-chance that I'd be stopping by?

			LEWIS
	It's possible.

SHEPHERD hops out of the car. AGENT COOPER trails after him.

                                                     CUT TO:

EXT. STREET - IN FRONT OF FLOWER SHOP - NIGHT

SHEPHERD's sudden decision sets off a chain reaction of 
Secret Service activity to accommodate the change of plans.

INT. CARMEN'S HOUSE OF FLOWERS - NIGHT

A high school GIRL is behind the counter, talking to a friend 
on the phone. Her back is to the door when SHEPHERD walks in 
with a couple of SECRET SERVICE AGENTS scrambling to keep up. 
SHEPHERD begins surveying the various flowers that are behind 
the glass.

			GIRL
		   (into phone)
	At the basketball game...

			SHEPHERD
	Excuse me--

			GIRL
	No, at the game. I'm telling you, 
	Kiki wasn't even there.
	
			SHEPHERD
	Excuse me--

			GIRL
		   (to Shepherd)
	I will be right with you.

The GIRL notices, and the receiver falls from her hand as 
she stares in disbelief.

			SHEPHERD
		   (to the GIRL)
	Hey, I don't know if you're the 
	one I talked to on the phone...
	Virginia, dogwood, the President
	...any of it ring a--

And apparently it does, because the GIRL faints and falls to 
the floor.

			SHEPHERD
	Same girl. She remembers me.

			AGENT COOPER
	She'll be fine.

			RUMSON (V.O.)
	Yes, and I'm glad to see ol' 
	Andy's got himself a girl.

APPLAUSE and appreciative LAUGHTER from a CROWD as we

                                                     CUT TO:

INT. MEMPHIS GRAND HYATT - NIGHT

RUMSON is speaking to a black-tie fund-raiser for the 
REPUBLICAN LEADERSHIP ALLIANCE.

			RUMSON
		   (continuing)
	Never mind she's the hired gun of 
	an ultra-liberal political action 
	committee.

The crowd's getting into it--

			RUMSON
		   (continuing)
	Never mind that the President takes 
	the Fifth anytime a reporter has the 
	temerity to ask a question about a 
	woman in a position to exert enormous 
	influence over a huge range of issues.

A wave building--

			RUMSON
		   (continuing)
	Never mind that this woman's idea of 
	how to unwind at the end of a tough 
	day is by getting together with her 
	ACLU pals and setting American flags 
	on fire...

                                                     CUT TO:

INT. PRESIDENTIAL SUITE/ST. LOUISE HILTON - NIGHT

The RUMSON FAMILY glows from a TELEVISION in the corner. 
LEWIS and ROBIN react to the news highlight reel of that 
day's screw-up.

			ROBIN
		   (to herself)
	No reaction from the White House.

SHEPHERD's off in a corner, talking on the phone. The 
Presidential Suite has been turned into the St. Louis Oval 
Office for the night as STAFFERS zigzag around room service 
tables during the late-night preparations.

INT. SYDNEY'S APARTMENT - SAME TIME

			SYDNEY
		   (into phone)
	What do Lewis and Robin think?

			SHEPHERD
		   (into phone)
	Brutus and Cassius? They want me to 
	get into the character debate and mix 
	it up.

			SYDNEY
		   (into phone)
	Lewis and Robin are very smart.

			SHEPHERD
		   (to LEWIS and ROBIN)
	Sydney says you guys are really 
	stupid.

			SYDNEY
		   (shouting through 
		    the phone)
	I didn't say that!

			SHEPHERD
		(to LEWIS and ROBIN)
	She's questioning your loyalty.

			LEWIS
	Hell, I question it all the time.

			SHEPHERD
		   (into phone)
	Wait a second, here comes my favorite 
	part.

He's referring to RUMSON on the TV.

			RUMSON (V.O.)
	My name is Bob Rumson, and I'm running 
	for President.

			SHEPHERD
		   (into phone)
	It's a good thing he cleared that up, 
	'cause the crowd was gettin' ready 
	to buy some AMWAY products.

			SYDNEY
		   (into phone)
	His number are climbing.

			SHEPHERD
		   (into phone)
	Sydney, his number have nowhere to 
	go but up.

			SYDNEY
		   (into phone)
	What about yours?

			SHEPHERD
		   (into phone)
	We're fine. We'll be back up in the 
	60's once I get the votes for the 
	crime bill.
		   (beat; into phone)
	Say, what're you doing this weekend?

			SYDNEY
		   (into phone)
	I've got some work I was gonna bring 
	home. Why?

			SHEPHERD
		   (into phone)
	The negotiations are going pretty 
	well here. It looks like the 
	nation's going to keep on flying. 
	Lucy's sleeping over at a friend's 
	house Saturday night.

			SYDNEY
		   (into phone)
	What'd you have in mind?

			SHEPHERD
		   (into phone)
	Have you ever been to Camp David?

			SYDNEY
		   (into phone)
	Camp David? Sure. I used to go 
	there all the time, but then they 
	changed chefs and...

			SHEPHERD
		   (into phone)
	It's sass, right? You're sassing 
	me.

			SYDNEY
		   (into phone)
	Yes.

			SHEPHERD
		   (into phone)
	I'll have a car pick you up Saturday 
	morning.

                                                     CUT TO:

EXT. CAMP DAVID - DAY

Scattered STAFF and MARINE PERSONNEL hold their hats to their 
heads against the wind that MARINE-1 kicks up as it touches 
down on the helicopter pad.

                                                     CUT TO:

INT. HELICOPTER - CONTINUOUS

SYDNEY, nose pressed against the window, is drinking it in. 
SHEPHERD is finishing up a crossword puzzle.

			SYDNEY
	Do you ever get used to helicopters 
	dropping you off at your front door?

			SHEPHERD
	How many "e"s in "kaleidoscope"?

			SYDNEY
	I guess you do.

                                                DISSOLVE TO:

INT. LIVING ROOM - NIGHT

SHEPHERD and SYDNEY are lounging in front of a fireplace, 
having hot cups of something alcoholic. SYDNEY is reading a 
book. SHEPHERD is running through satellite TV channels, 
searching for something.

			SYDNEY
	Oh good God.

			SHEPHERD
	What?

			SYDNEY
	I'm looking at your college 
	transcripts. This isn't human. 
	Nobody gets this many "A's." You 
	were like a Stepford student.

			SHEPHERD
	Are you still reading that ridiculous 
	biography?

			SYDNEY
	Actually I finished Andrew Shepherd: 
	Road to the White House. Now I'm onto 
	Shepherd: The Early Years.

			SHEPHERD
	Seven-trillion-dollar communications 
	system at my disposal, you'd think 
	I'd be able to find out if the 
	Packers won.

			SYDNEY
		   (re the book)
	Oh, Andy...C-minus in Women's 
	Studies?

			SHEPHERD
	Yeah...that course wasn't about what 
	I thought it was gonna be about.
	
SHEPHERD has landed on a news station.

			NEWS ANCHOR #!
		   (on T.V.)
	...for his routine physical exam. 
	Doctors at Bethesda Naval Hospital 
	pronounced President Shepherd in 
	excellent health.

			SHEPHERD
	Who cares? Let's see some scores.

			NEWS ANCHOR #2
		   (on T.V.)
	While the President spent the day at 
	Camp David, G.O.P. presidential 
	hopeful Robert Rumson continued his 
	attacks on President Shepherd's 
	character. During the Saturday 
	morning news program Capitol 
	Review with Kenneth Michaels, 
	Senator Rumson suggested that GDC 
	political director Sydney Ellen Wade, 
	whose personal relationship with the 
	President has been causing the White 
	House headaches over the past two 
	months, may have traded sexual favors 
	for key votes in the Virginia State 
	Legislature while lobbying for the 
	Virginia Teachers Association.

The NEWS PROGRAM goes to the segment showing RUMSON and 
MICHAELS on that morning's show. SHEPHERD and SYDNEY sit and 
watch...knowing they're about to take a punch...powerless to 
stop it...

			MICHAELS
		   (on T.V.)
		Wait a minute, Senator--

			RUMSON
		   (on T.V.)
	I'm not saying--

			MICHAELS
		   (on T.V.)
	--'cause that's a heck of an 
	accusation to make, and--

			RUMSON
		   (on T.V.)
	I'm not making an acc-- let me be 
	very clear. I'm not making an accusation. 
	I am saying when we hear one thing, 
	we dismiss it. We hear two, we dismiss it. 
	But when several, several well-
	respected members and former members of 
	the Virginia State House--

			MICHAELS
		   (on T.V.)
	Can you give us names?

			RUMSON
		   (on T.V.)
	--each of their own accord, comes to 
	me and expresses concern over the 
	woman standing next to -- I don't even 
	know, do we call her the First Mistress? 
	When several--

			SYDNEY
	My God. He's making this up as he 
	goes along.

			SHEPHERD
	I'm so sorry about this, Sydney.

			SYDNEY
	Oh, man. My father heard that.

SHEPHERD clicks off the T.V.

			SHEPHERD
	You gotta tell him to turn a deaf ear.

			SYDNEY
	My father doesn't have a deaf ear. 
	He hears fine out of both. So do I. 
	So does my sister, so do my friends. 
	You're the only one who seems to--

			SHEPHERD
	Sydney, I can't challenge the school 
	bully to a fight just because he 
	picked on my girlfriend.

			SYDNEY
	I'm not asking you to. I can take 
	care of myself. This isn't about me. 
	How can you keep quiet? How do you 
	have patience for people who claim 
	they love America but clearly can't 
	stand Americans?

			SHEPHERD
	I have one more election left, Sydney. 
	I don't have the luxury of losing my 
	patience.

			SYDNEY
	I want to say something, but I'm 
	gonna fumble it a little bit, so I'd 
	just like you to wait till I'm done 
	before you respond. I'm in love with 
	you. I'm certain of it. And I want to 
	be with you more than anything. But 
	maybe things would be better for you 
	if I disappeared for a while.

			SHEPHERD
	Things will be better when I pass a 
	crime bill. And Sydney, if you 
	disappeared, I'd find you.

He goes to kiss her, she responds.

                                                      DISSOLVE TO:

EXT. SOUTH LAWN - NIGHT

The official White House Christmas Tree is glimmering for the 
TOURISTS.

                                                     CUT TO:

INT. RESIDENCE - NIGHT

An informal Christmas party is underway with maybe 20 GUESTS, 
some of them familiar faces.

SHEPHERD and a GREEN-BLAZERED MAN

			GREEN BLAZERED MAN (GILL)
	Mr. President, militant women are out 
	to destroy college football in this 
	country.

			SHEPHERD
	Is that a fact?

			GREEN BLAZERED MAN (GILL)
	Have you been following this 
	situation down in Atlanta? These 
	women want parity for girls' 
	softball, field hockey, volleyball...

			SHEPHERD
	If I'm not mistaken, Gill, I think 
	the courts ruled on Title 9 about 20 
	years ago.

			GREEN BLAZERED MAN (GILL)
	Yes sir, but now I'm saying these 
	women want that law enforced.

			SHEPHERD
	Well, it's a world gone mad, Gill.

LEWIS, KODAK and ROBIN stand huddled with cups of eggnog...

			KODAK
	The country has mood swings.

			LEWIS
	Mood swings? Nineteen post-graduate 
	degrees in mathematics and you 
	explain going from a 63 to a 46 
	percent approval rating in 5 weeks 
	on mood swings?

			KODAK
	Well, I could explain it better, but 
	I'd need charts and graphs and an easel.

			ROBIN
	Fellas, we haven't slept in three 
	years. Can't we forget work for one 
	night and take this moment to enjoy 
	each other as friends? It's 
	Christmas.

			LEWIS
		   (pause)
	It's Christmas?

			KODAK
	Yeah, you didn't get the memo?

AT THE BUFFET TABLE

			KID #1
	'Cause your father's President, does 
	he automatically get to be on money?

			LUCY
	I honestly don't know.

			KID #2
	I think only if he's a really good 
	President.

A.J. spots SYDNEY as she walks through the doorway and comes 
over to her. She seems a bit agitated.

			A.J.
	Hey, Sydney, Merry Christmas.

			SYDNEY
	Merry Christmas, A.J.

			A.J.
	Where you been?

			SYDNEY
	I got stuck on DePont Circle. I can 
	never remember which lane I'm 
	supposed to take. Then I got cut off 
	by this idiot cab driver who starts 
	screaming at me like it's my fault.

			A.J.
	Syd, relax. It's Christmas.

SHEPHERD joins them.

			SHEPHERD
	Hi, Syd. Get stuck on DuPont Circle 
	again?

			SYDNEY
	It's not funny. I hate that place. 
	Can't you declare it a Federal 
	Disaster Area or something?

			SHEPHERD
	I'll look into it.

			A.J.
	What were you doing up on the Hill, 
	anyway?

			SYDNEY
	Ahhh...I had a terrible meeting 
	today. Totally lost my cool with 
	McSorley, McCluskey and Shane.

			SHEPHERD
	You went to see the Motown Three?

			SYDNEY
	I pitched 'em the hill.

			A.J.
		   (beat)
	On its merits?

			SHEPHERD
	The woman knows no fear. She'd lobby 
	the Carolinas to the American Lung 
	Association.

			SYDNEY
	It was a disaster.

			A.J.
	You're in good company. I sat with 
	'em a week ago. They told me there 
	was nothing on the President's 
	domestic agenda they were more 
	committed to defeating than the crime 
	bill.

			SYDNEY
	Well, congratulations, fellas, you're 
	outta the cellar. McSorley told me 
	the only thing on the President's 
	domestic agenda they were more 
	committed to defeating than the crime 
	bill was the fossil fuel package.

This catches SHEPHERD and A.J. by surprise--like accidentally 
drawing to an inside straight.

			A.J.
	You're kidding, right?

SYDNEY isn't aware she's said anything of particular 
consequence.

			SYDNEY
	No, I'm not kidding. It's funny that 
	he used the same words.

A.J. and SHEPHERD are trying to study the situation without 
giving anything away.

			A.J.
	Yeah...

			SHEPHERD
	I don't think the Pep Boys know too 
	many words.

			SYDNEY
	I'm gonna get a drink and shake this 
	off. When I come back, I'll have 
	Christmas spirit.

			SHEPHERD
		   (beat)
	Okay.

			SYDNEY
	Is something wrong?

			SHEPHERD
	No, I was...I was thinking about-- 
	nothing.

			SYDNEY
	I'll be back in a minute.

She goes off.

			A.J.
	Did what I think just happened, just 
	happen? Did the GDC's political 
	director just tell the President and 
	the White House Chief of Staff that 
	there are three votes on the crime 
	bill that can be bought by stickin' 
	the fossil fuel package in a drawer.

			SHEPHERD
	No, the GDC's political director 
	didn't tell us anything. Sydney Wade 
	told her boyfriend and her 
	boyfriend's best friend that she had 
	a lousy day.

			A.J.
	It doesn't change the facts, Mr. 
	President. If Sydney gets her 24 
	votes and we're three short, there's 
	some maneuvering to be done.

			SHEPHERD
	I made a promise, A.J.

			A.J.
	You made a deal, Mr. President.

			SHEPHERD
	I made it with Sydney.

			A.J.
	You made it with the GDC.

			SHEPHERD
	Yeah, well, this is all academic 
	anyway. We're not going to need 
	those votes.

			A.J.
	If your approval rating drops any 
	more, things are gonna get tight.

                                          DISSOLVE TO:

INT. A WASHINGTON WATERING HOLE - NIGHT

LEWIS sits with a Congressman's aide.

			LEWIS
	I'm hearing rumors that your boss 
	is wavering on the crime bill.

			AIDE
	You can't believe rumors, Lewis, 
	you know this town.

			LEWIS
	That's what I wanted to hear.

			AIDE
	I'll tell you, though. My boss is 
	starting to waver on the crime bill.

INT. A POSE WASHINGTON RESTAURANT - DAY

A lunchtime crowd is doing business over white wine, oysters 
and cobb salads. SYDNEY, a CONGRESSMAN, and his LEGISLATIVE 
AIDE are going at it.

			CONGRESSMAN (PENNYBAKER)
	Sydney, everybody cares about the 
	environment during a phone survey. 
	On election day, nobody gives a 
	damn. That's, that's why you have 
	a job.

			SYDNEY
	Congressman Pennybaker, on election 
	day, people give a damn about what I 
	tell them to give a damn about. And 
	that's why I have a job.
		   (offering the bread 
		    basket)
	Did you want another roll?

                                                     CUT TO:

INT. FOSSIL FUEL WAR ROOM - DAY

DAVID is on the phone--

			DAVID
		   (to the INTERNS)
	She got Pennybaker.

			VOICE
	All right! Good job!

DAVID rips off the top sheet of the tote board, which now 
reads "5 Votes in 14 Days."

                                                      DISSOLVE TO:

CONGRESSMAN MILLMAN'S OFFICE - DAY

MILLMAN is walking on a treadmill while LEWIS stands by.

			LEWIS
	Congressman, it was our understanding
	 that we had your support.

			MILLMAN
	Hey, look, I like your boy. Always 
	have. But for God's sake, kid, 
	does the woman have to spend the 
	night?

					              DISSOLVE TO:

INT. FOSSIL FUEL WAR ROOM - DAY

INTERNS photocopying, clipping, stamping, crunching numbers, 
drinking coffee...DAVID is on an extension, listening to 
SYDNEY's final pitch over the phone.

The tote board reads: "3 Votes in 5 Days."

			SYDNEY
		   (into phone)
	We've got the full backing of 
	the White House, Katherine.
		   (listens)
	Yes, at 20 percent. Three more votes 
	and the President sends it to the 
	Hill.
		   (listens)
	Katie, 10 years from now any cars 
	with an internal combustion engine 
	is gonna be considered a collector's 
	item. Come on board, we'll make your 
	Volvo a classic.

                                                     CUT TO:

INT. ROOSEVELT ROOM - DAY

LEWIS and KODAK, each with an AIDE, have been meeting with 
two CONGRESSMEN and their AIDES.

			LEWIS
	Congressman, the assault weapons 
	are gone.

			KODAK
	The bill is priced to move, see.

			CONGRESSMAN
	The bill isn't the issue, fellas. 
	I'm facing a serious challenge in 
	November, and the President's 
	coattails aren't what they used 
	to be.

			KODAK
	The President's coattail's are gonna 
	have room for you, Congressman, you 
	leave that to us.

			AIDE
	We left that to you people, Leon, 
	and the President's in a free-fall.

			KODAK
	I wouldn't say he's in a free--

			CONGRESSMAN
	I just can't give you my vote.

                                                      DISSOLVE TO:

INT. A.J.'S OFFICE - DAY

LEWIS and KODAK stand in front of A.J.'s desk.

			LEWIS
	The well is drying up. The 
	President's gotta make a move or 
	we're gonna die fast and quiet.

			KODAK
	What if I do a new poll? We give 
	him detailed public opinion.

			LEWIS
	And we put Sydney in the new model?

A.J. hesitates.

			LEWIS
		   (continuing)
	A.J., it's meaningless unless we ask 
	him about Sydney.

			A.J.
	Fine. Do it.

                                                     CUT TO:

EXT. SYDNEY'S APARTMENT - NIGHT

The street's been temporarily closed to traffic, and SECRET 
SERVICE AGENTS man the sidewalk. The PRESS and ONLOOKERS 
form a small crowd, kept well at bay by police barricades.

INT. SYDNEY'S APARTMENT - NIGHT

SHEPHERD and SYDNEY are finishing up dinner.

			SHEPHERD
	This was delicious. Thank you. Is 
	there any left?

			SYDNEY
		   (taking his bowl)
	Tons. I didn't think you liked it.

			SHEPHERD
	Are you kidding me, of course I did. 
	But actually it's not for me. The 
	agent who checked the food thought 
	it was delicious, and I sort of told 
	him I'd bring him some if there was 
	any left.

			SYDNEY
	So you didn't like it.

			SHEPHERD
	No, I loved it.

			SYDNEY
	You're lying.

			SHEPHERD
	No, I'm not.

			SYDNEY
	You are. I can tell when you're 
	holding something back. You do a 
	thing with your face.

SYDNEY pops a bottle of port and pours two glasses.

			SHEPHERD
	When have you seen me do a thing 
	with my face?

			SYDNEY
	Two days before I met you. You 
	gave a speech for the Daughters 
	of the American Revolution. I was 
	there.

			SHEPHERD
	You were?

			SYDNEY
	You remember the speech?

			SHEPHERD
	Vaguely.

			SYDNEY
	"American can no longer afford to 
	pretend that they live in a great 
	society."

			SHEPHERD
	Ah.

			SYDNEY
	There was supposed to be something 
	else after that, wasn't there?

			SHEPHERD
	How did you know?

			SYDNEY
	I told you. The face.

SYDNEY hands him a glass. They clink glasses and sip.

			SHEPHERD
	Wow...what's the occasion?

			SYDNEY
	You're looking at a lady who's two 
	votes shy of the promised land.

			SHEPHERD
	Two votes?

			SYDNEY
	I got Pennybaker. That got me Cass 
	and Zimmer.

			SHEPHERD
		   (beat)
	That's great, Sydney. I mean it. 
	That's great work.

			SYDNEY
	Well, I'm not there yet.

			SHEPHERD
	Look, no matter what happens, you 
	have every right to be proud of 
	yourself.

			SYDNEY
	I'll be proud when I see you sign 
	the bill.

			SHEPHERD
	Yeah, well...

			SYDNEY
	Andy.

			SHEPHERD
	Yeah?

			SYDNEY
	You're doing that thing with your face.

CUT TO:

EXT. OLD EXECUTIVE OFFICE BUILDING - DAY - EAST

A light rain is falling.

						            CUT TO:

INT. CRIME BILL WAR ROOM - DAY

KODAK sits at his desk staring at a computer printout. LEWIS 
is nearing the end of a phone conversation that isn't going 
well. He's pacing around with the phone...desperate and 
intense.

The tote board reads: "1 Vote in 2 Days." ROBIN enters.

			ROBIN
		   (to KODAK)
	How're the numbers?

			KODAK
	Bad.

			ROBIN
	How bad?

			KODAK
	Forty-one. Character across the 
	board.

			ROBIN
	Who is Lewis on with?

			KODAK
	Jarrett. He's trying to keep his 
	finger in the dam.

			LEWIS
		   (into phone)
	You're supposed to be a United States 
	Congressman, for the love of Christ.

ROBIN and KODAK appear in the doorway, sensing a surprise 
development. LEWIS is losing it on the phone.

			LEWIS
		   (continuing; listens)
	But you're not gonna stay at 41. 
	The numbers are gonna be go back up.
		   (listens)
	But they're gonna go back up.
		   (listens)
	George...
		   (listens)
	Congressman...
		   (listens)
	Congressman Jarrett...
		   (listens)
	George, it's crunch time. It's 
	personal. This is one of those 
	moments. It's just you and the 
	President. Now that's it gonna 
	be?

LEWIS looks over at ROBIN and KODAK ...his face telling the 
story.

			LEWIS
		   (continuing)
	Yeah.
		   (listens)
	Yeah. 
		   (listens)
	Hey, George? Can I tell you 
	something? We're gonna win this 
	thing. We're gonna get the votes 
	and we're gonna win. And after we 
	do, I mean that very night, I'm 
	gonna go to Sam & Harry's, I'm gonna 
	order a big steak, and I'm gonna make 
	a list of everybody who tried to fuck 
	us this week.

ROBIN and KODAK are trying to get their friend from setting 
fire to a bridge out of pure frustration.

			ROBIN
		   (a whispered shout)
	Lewis!

			LEWIS
		   (into phone)
	Vote your conscience, you chicken-
	shit, lame-ass--

LEWIS hangs up the phone. He takes a deep breath, slumps 
down in the nearest chair, and looks up at ROBIN and KODAK.

There's a long silence before LEWIS says--

			LEWIS
		   (continuing)
	We lost Jarrett.

			KODAK
		   (beat)
	I hope so. 'Cause, you know, if 
	that was an "undecided," then we 
	need to work on our people skills.

LEWIS picks up the phone and punches in a few numbers. Even 
before that line starts ringing, he picks up another phone 
and punches in a different set of numbers.

			LEWIS
		   (into the first phone)
	Karen, it's Lewis. Could you hunt 
	down Congressman Quincy for me. I 
	need to talk to him right way.

                                                     CUT TO:

INT. OVAL OFFICE - DAY

SHEPHERD stands in front A.J., LEWIS, ROBIN, and KODAK. 
JANIE is somewhere in the background.

			A.J.
	We lost Quincy, too.

			SHEPHERD
	Did he give a reason?

			LEWIS
	He thinks your numbers aren't likely 
	to rebound.

			KODAK
	We're three votes down again, sir.

There's a pause before ...

			KODAK
		   (continuing)
	Mr. President, as of this morning, 
	Sydney only needed one more vote. 
	The Motown Three have gotta be 
	scared blind. I don't think there'll 
	be a better opportunity.

			ROBIN
	The press is expecting an 
	announcement on the crime bill by 
	the Sate of the Union.

			KODAK
	If you agree to stick 455 in a drawer 
	until after the elections, they'll 
	give you the three votes.

			ROBIN
		   (beat)
	And we declare victory, sir.

			SHEPHERD
	We said as a last resort.

			KODAK
	We're there, sir. The State of the 
	Union is 48 hours away.

			SHEPHERD
	No. Come on. There's gotta be three 
	votes someplace else.

			KODAK
	There isn't.

			SHEPHERD
	Bullshit, Leon. There's gotta be 
	somebody we haven't--

			KODAK
	There isn't, sir.

			SHEPHERD
	Storch.

			KODAK
	I beg your pardon?

			SHEPHERD
	What about Storch?

			A.J.
	Mr. President--

			KODAK
	Storch is a "no."

			SHEPHERD
	Wagner.

			KODAK
	No.

			SHEPHERD
	Sobel.

			KODAK
	No.

			SHEPHERD
	Clark.

			KODAK
	No.

			SHEPHERD
	Not that Clark, the one from 
	Indiana.

			KODAK
		(pause)
	That one too, sir.

SHEPHERD is stopped.

			A.J.
	Mr. President, I think we have to 
	do it.

			SHEPHERD
	She is one vote away, A.J. It's 
	important legislation that for the 
	first time has a legitimate chance.
	 I think she deserves every possible 
	opportunity to--

			LEWIS
	She? You meant "it," didn't you, 
	sir? You meant the "important 
	legislation" deserves every 
	opportunity.

			A.J.
	Lewis, shut up.

There's a horrible silence in the room. SHEPHERD has locked 
eyes with LEWIS.

			SHEPHERD
	You got something to say to me?

			LEWIS
	Respectfully, sir. I think we should 
	examine the new poll for more than 
	its value as a box score.

			SHEPHERD
	Examine what? They don't like that 
	I'm going out with Sydney.

			LEWIS
	It's not that simple, sir. I think 
	this poll helps bribg a murky problem 
	into specific relief.

			SHEPHERD
	Whose problem we talking about, 
	Lewis? Yours? You worried about 
	your job? This poll isn't talking 
	about my Presidency. This poll is 
	talking about my life. Two hundred 
	and sixty-four million people have 
	decided--

			LEWIS
	Mr. President, two hundred and sixty-
	four million people don't give a damn 
	about your life. They give a damn about 
	their own.

			A.J.
	All right, that's enough.

			LEWIS
	Mr. President, you've raised a 
	daughter almost entirely on your own, 
	and she's terrific. What does it say 
	to you that in the last seven weeks, 
	59 percent of this country has begun 
	to question your family values?

			A.J.
	The President doesn't answer to you, 
	Lewis.

			LEWIS
	Oh yes, he does, A.J.  I'm a citizen, 
	this is my president, and in this 
	country it is not only permissible to 
	question our leaders, it is our 
	responsibility. But you already know 
	that, Mr. President, because you have 
	a deeper love of this country than 
	any man I've ever known, and I want 
	to know what it says to you that in 
	the past seven weeks 59 percent of 
	Americans have begun to question your 
	patriotism?

			SHEPHERD
	Look, if people want to listen to Bob 
	Rumson--

			LEWIS
	They don't have a choice! Rob 
	Rumson's the only one doing the 
	talking. People want leadership. 
	And in the absence of genuine 
	leadership, they will listen to 
	anyone who steps up to the 
	microphone. They want leadership, 
	Mr. President. They're so thirsty 
	for it, they'll crawl through the 
	desert toward a mirage, and when 
	they discover there's no water, 
	they'll drink the sand.

			SHEPHERD
		   (evenly)
	Lewis, we've had Presidents who were 
	beloved, who couldn't find a coherent 
	sentence with two hands and a 
	flashlight. People don't drink the 
	sand, 'cause they're thirsty, Lewis. 
	They drink it 'cause they don't know 
	the difference.

The room is slightly stunned by what their President has just 
said.

SHEPHERD picks up the polling data and heads to the door...

			SHEPHERD
		   (continuing; on his 
		    way out)
	Make the deal.

                                                     CUT TO:

INT. THE FOSSIL FUEL WAR ROOM - DAY

SYDNEY, SUSAN, DAVID, INTERNS and STAFFERS are having a 
little office celebration. Champagne flows from paper cups. 
Streamers and balloons adorn the tote board, which reads 0 
Votes in 1 Day.

SUSAN, maybe a little drunk, has concerned SYDNEY.

			SUSAN
	I want to go on the record and 
	apologize for my attitude toward you 
	since your arrival.

			SYDNEY
	I didn't notice. Was there an 
	attitude?

A PHONE RINGS, and one of the staffers takes it. SYDNEY 
tries to rejoin the party, but--

			SUSAN
	I think I have a lot of pent-up 
	hostility.

			SYDNEY
	Well--

			SUSAN
	I wonder who I can blame it on.

			SYDNEY
	I'm not really qualified to--

			SUSAN
	'Cause I've been blaming it on my 
	mother and my ex-husband, and that 
	hasn't been working.

			DAVID
		   (approaching SYDNEY)
	Leo needs to see you.

			SYDNEY
	Tell him to get over here. It's a 
	party.

			DAVID
	He needs to see you in his office.

			SYDNEY
	It can't wait?

			DAVID
	He just got off the phone with 
	MacInerney. There's been a 
	development.

SYDNEY holds for a moment...then heads out the door and we

                                                     CUT TO:

INT. A CORRIDOR IN THE RESIDENCE - LATE AFTERNOON

TROMBONE MUSIC comes from LUCY's bedroom as SHEPHERD rounds 
the corner.

INT. LUCY'S BEDROOM - LATER AFTERNOON

SHEPHERD pops his head in.

			SHEPHERD
	Sounds good.

			LUCY
	It's progressive.

			SHEPHERD
	I'll say.

			LUCY
	Hey, Dad, what's wrong with Sydney? 
	You guys have a fight?

			SHEPHERD
		   (beat)
	What do you mean?

			LUCY
	She seemed pretty--

			SHEPHERD
	You saw her?

			LUCY
	She's here.

			SHEPHERD
	Where?

			LUCY
	In your room. Why is she mad?

			SHEPHERD
	Don't worry about it.

			LUCY
	Were you a dork?

			SHEPHERD
	Practice your music.

			LUCY
	If you were a dork, you should say 
	you're sorry. Girls like that.

                                                     CUT TO:

INT. SHEPHERED'S BEDROOM - LATE AFTERNOON

SYDNEY is going through the closet in search of something. 
The door opens, and SHEPHERD steps in, perhaps a little 
tentatively. He doesn't see SYDNEY at first.

			SHEPHERD
		   (calling out)
	Syd?

SYDNEY comes out.

			SYDNEY
	Have you seen a gray cableknit 
	sweater?

			SHEPHERD
	A grey...sweater? No. I called 
	you at the office, but...

			SYDNEY
	It's Beth's. I wore it here one 
	time, and I didn't want to leave 
	it.

			SHEPHERD
	Where were you going?

SYDNEY continues her search.

			SYDNEY
	I'm going home, and then I'm going 
	to Hartford.

			SHEPHERD
	Connecticut?

			SYDNEY
	Yes. Do you know if it was sent with 
	your dry cleaning by any--

			SHEPHERD
	What's in Connecticut?

			SYDNEY
	Richard Reynolds' campaign. He may 
	be able to get me a job.

			SHEPHERD
	When did you decide to get a new job?

			SYDNEY
	Not long after Leo Solomon fired me 
	from my old one. Beth's gonna kill 
	me. She loves that--

			SHEPHERD
	Why did he fire you?

			SYDNEY
	Total failure to achieve any of the 
	objectives for which I was hired. I 
	told him he was being unreasonable. 
	After all, I did get to dance with 
	the President and ride in Air Force 
	One a couple of times. But you know 
	those prickly environmentalists. 
	It's always gonna be something with 
	them. If it's not clean air, then 
	it's clean water. Like it isn't good 
	enough that I'm on the cover of 
	People Magazine.

			SHEPHERD
	I'll call him.

			SYDNEY
	You'll call him? You mean you'll 
	call him yourself? Personally? 
	It'll come from the President? 
	That's a great idea. I think you 
	should call Leo and make a deal. He 
	hires me back for, say, 72 days. I 
	go around scaring the hell out of 
	Congress, making them think that the 
	President's about to drive through a 
	very damaging and costly bill. 
	They'll believe me, right, 'cause I'm 
	the President's Friday Night Girl. 
	Now I don't know if you can dip into 
	this well twice, especially since 
	I've lost all credibility in politics, 
	but you never know, I might just be 
	able to pull it off again. I might 
	be able to give you just the leverage 
	you need to pass some ground-breaking 
	piece of crime legislation -- like a 
	mandatory three-day waiting period 
	before a five-year-old can buy an Uzi. 
	Fuck the sweater -- she'll have to 
	learn to live with disappointment.

She starts to exit

			SHEPHERD
	What do you think went on here today?

She stops.

			SYDNEY
	I know exactly what went on here 
	today. I got screwed. You saw the 
	poll, you needed the crime bill, 
	you couldn't get it on your own, 
	so I got screwed.

			SHEPHERD
	The environment got screwed. Nothing 
	happened to you today, Sydney. 
	Governing is choosing. Governing is 
	prioritizing. I've made no secret of 
	the fact that the crime bill was my 
	top priority.

			SYDNEY
	Well then, congratulations. It's 
	only taken you three years to put 
	together crime prevention legislation 
	that has no hope of preventing crime.

SYDNEY heads out the door--

			SHEPHERD
		(stopping)
	Sydney. Please. I don't want to 
	lose you over this.

			SYDNEY
	Mr. President, you got bigger 
	problems than losing me. You just 
	lost my vote.

And SYDNEY is out the door...

...we HOLD on SHEPHERD, looking like a man who's taken a lot 
of punches to the heads...

CUT TO:

INT. THE POOL ROOM - NIGHT

A rack of billiard balls explodes from the break.

			A.J.
	Hartfort? What's in Hartford?

			SHEPHERD
	Richard Reynolds' district office. 
	She's thinking of running his 
	campaign. Four in the corner.

SHEPHERD gets down over the ball--

			SHEPHERD
		   (continuing)
	Hartford. The insurance capital of 
	the world. Have a good time, Syd.

SHEPHERD smacks the ball, BULL'S-EYE.

			A.J.
	Listen. I'm gonna have Janie clear 
	your schedule for the weekend. You 
	need to get some rest.

			SHEPHERD
	You handling me, A.J.?

			A.J.
	No, sir.

			SHEPHERD
	Good. 14 in the side.

SHEPHERD gets down over the ball...

SMACK!!!

...but instead of the cue hitting the ball, it's A.J.'s palms 
slamming the cue against the table.

			A.J.
	But I sure as hell will if you don't 
	start gettin' your head outta your ass.

			SHEPHERD
	Excuse me.

			A.J.
	Lewis is right. Go after this guy.

			SHEPHERD
	Has he lied?!

			A.J.
	What?

			SHEPHERD
	Has Rumson lied in the last seven 
	weeks?

			A.J.
	Has he lied?

			SHEPHERD
	Other than not knowing the difference 
	between Harvard and Stanford, has he 
	said something that isn't true? Am 
	I not a Commander-in-Chief who's 
	never served in the military? Am I 
	not opposed to a Constitutional 
	amendment banning flag burning? Am 
	I not an unmarried father who was 
	sharing a bed with a liberal lobbyist 
	down the hall from my twelve-year-old 
	daughter?

			A.J.
	And you think you're wrong?

			SHEPHERD
	I don't think you win elections by 
	telling 59 percent of the people that 
	they are.

			A.J.
	We fight the fights we can win.

			SHEPHERD
	Don't--

			A.J.
	You fight the fights that need 
	fighting!

			SHEPHERD
	Is the view pretty good from the 
	cheap seats, A.J.?

			A.J.
	I beg your pardon.

			SHEPHERD
	It occurs to me that in 25 years I've 
	never seen your name on a ballot. 
	Why have you always been standing a 
	pace behind me?

			A.J.
	Because if I hadn't been, you'd be 
	the most popular history professor 
	at the University of Wisconsin.

			SHEPHERD
	Fuck you.

SHEPHERD's tossed his cue stick and is heading out...

			SHEPHERD
		   (continuing)
	Have Lewis put the final drafts of 
	the State of the Union and the Crime 
	Bill announcement on my desk in the 
	morning.

			A.J.
	Yes, sir.

SHEPHERD gets to the doorway...stops...turns around...

			SHEPHERD
	If Mary hadn't died...would we have 
	won three years ago?

			A.J.
	Would we have won?

			SHEPHERD
	If we'd had to go through a character 
	debate three years ago, would we have 
	won?

			A.J.
	I don't know. But I would've liked 
	that campaign. If my friend Andy 
	Shepherd had shown up, I would have 
	liked that campaign.

SHEPHERD looks away...nods absently...

			SHEPHERD
		   (pause)
	Yeah.

SHEPHERD exits, leaving A.J. alone as we

                                                     CUT TO:

INT. WHITE HOUSE CORRIDOR - NIGHT

A series of shots showing SHEPHERD walking down the corridor 
to the dish room, then walking down a long corridor which 
contains a series of paintings of various presidents. Then 
sitting alone in the Oval Office, lost in thought...

                                                      DISSOLVE TO:

INT. RESIDENCE DINING ROOM - EARLY MORNING

SHEPHERD and LUCY are eating breakfast in silence, neither of 
them very happy, each with their own problems. A nearby T.V. 
MONITOR glows with the live coverage of ROBIN's morning press 
briefing.

Finally...

			SHEPHERD
	You're not hungry?

			LUCY
	This is oatmeal.

			SHEPHERD
	Yeah.

			LUCY
	We never have oatmeal.

			SHEPHERD
	It's good for you.

			LUCY
	I'm from Wisconsin. I need food.

			SHEPHERD
	You're not from Wisconsin. I'm from 
	Wisconsin. You've lived in 
	Washington your whole life.

He glances toward the T.V. screen. ROBIN's standing up there 
doing what she's been told: "No comment...No, this President 
is not participating in character debates..." He mutes the 
volume.

			SHEPHERD
		   (continuing)
	How are you doing in your 
	Constitutional debates?

			LUCY
	We're done.

			SHEPHERD
	You're done?

			LUCY
	We ratified it last week.

			SHEPHERD
	Oh...well...that's good. Why didn't 
	you tell me?

			LUCY
	It's not a big deal, Dad.

			SHEPHERD
	Okay, I give up. I don't care why 
	you're not happy in social studies. 
	I care about why you're not talking 
	to me about why you're not happy in 
	social studies.

			LUCY
	Dad, I'm perfectly--

			SHEPHERD
	You're not perfectly happy. You 
	don't think I know when something's 
	bothering you?

			LUCY
	Damnit, Dad!

			SHEPHERD
	Hey!

			LUCY
	You know--

			SHEPHERD
	Talk to me.

			LUCY
	Look--

LUCY winds herself up. It would appear she's about to burst. 
She's about to say the hardest thing she's ever had to say in 
her life--

			LUCY
		   (continuing)
	--sometimes when you talk, you say 
	things I disagree with.

SHEPHERD is stunned and totally confused...

			SHEPHERD
	Almost every time I talk, I say 
	things you disagree with.

			LUCY
	I mean politically.

			SHEPHERD
		   (pause)
	Politically?

			LUCY
	Yes.

			SHEPHERD
		   (pause)
	What do you mean?

It just starts spilling out in a stream--

			LUCY
	Yes. Okay. Yes. Sometimes, I mean, 
	I'm not sure. You know a lot more 
	than I do -- but still, I have these 
	feelings, and I don't think they're 
	wrong. Like, okay, for instance, I'm 
	not so sure it's all right to burn a 
	flag. I mean, it really bothers a lot 
	of people, and I don't know why you 
	think it's okay. I hear Senator 
	Rumson talk, and some of the things 
	he says sounds right to me, and I 
	think, "God, am I like Bob Rumson?! 
	I mean, Dad thinks he's a jerk. Dad 
	hates this guy! 
	Why am I agreeing with him" And then 
	I think, "Well, maybe I'm not really 
	like Bob Rumson, but maybe I'm not 
	like Dad either." But the point is 
	I'm the President's kid, and people 
	pay attention to what I say, and if 
	I say something different from what 
	you say, it'll be embarrassing for 
	you. So I can't just get up in social 
	studies class and say whatever I want.

SHEPHERD is silent...totally blown away...he had absolutely 
no idea...

He stands up slowly and moves toward her...LUCY doesn't know 
what's coming...

			SHEPHERD
		   (quietly)
	Stand up please.

LUCY gets up slowly...

She's never seen her father like this...

			SHEPHERD
		   (continuing)
	I want you to pay very close 
	attention to what happens now.

SHEPHERD knees down, cups her daughter's face in his hands, 
and gently kisses her forehead. He pulls her to him and 
holds her in a tight embrace...

			SHEPHERD
		   (continuing)
	In your  lifetime, you will never 
	embarrass me. It could never happen. 
	You're not the President's daughter, 
	Lucy, you're mine. 
	And no one's gonna vote me out of 
	that job. You're my daughter, and 
	everything else is a distant second.
		   (more)
	School is for you, Lucy. You say 
	what you want. The only thing you 
	have to do to make me happy is 
	come home at the end of the day.

LUCY squeezes her dad tight...they hold the embrace for a 
long moment.

			SHEPHERD
		   (continuing)
	One more thing. I don't dislike 
	Senator Rumson because of his 
	political views. And even if you 
	voted for everything he would vote 
	for, that wouldn't make you like him. 
	There's a fundamental difference 
	between you and the Bob Rumsons of 
	the world.

			LUCY
	What's that?

			SHEPHERD
	The difference is that he says he 
	loves America. Saying you love 
	America is easy. What takes 
	character -- and this is what you 
	have--

SHEPHERD trails off, realizing he's about to quote Sydney...

			SHEPHERD
		   (continuing)
	What takes character is loving 
	Americans.
		   (beat)

And now it's as if SHEPHERD is waking himself up from the 
longest trip of his life...

...he looks over at the T.V. monitor..."No comment"...
"No, I don't know how many other ways I can say it. The 
White House isn't getting involved in..."

			SHEPHERD
		   (continuing)
	Luce, I gotta go.

			LUCY
	Dad, is everything all right?

			SHEPHERD
	Everything's fine. I'm just a little 
	late for work.

He heads for the door, shouting out as he goes--

			SHEPHERD
	Somebody get my daughter some food! 
	The girl's from Wisconsin, for cryin' 
	out loud!

And he's gone as we...

                                                     CUT TO:

INT. THE PRESS BRIEFING ROOM - EARLY MORNING

ROBIN is on her last drops of energy and patience.

			REPORTER #4
	Robin, will the President ever 
	respond to Senator Rumson's 
	question about being a member of 
	the American Civil Liberties Union?

But instead of hands going up, the PRESS CORPS suddenly 
stands. ROBIN turns to see SHEPHERD stride in and step up to 
the podium.

			SHEPHERD
	Yes, he will. 'Morning.
	
			ROBIN
	Good morning, Mr. President.

SHEPHERD takes the podium. There's a palpable BUZZ in the 
room as video operators adjust their equipment, etc. People 
starts to stand.

			SHEPHERD
	That's all right, you can keep your 
	seats. For the last couple of 
	months, Senator Rumson has suggested 
	that being president of this country 
	was, to a certain extent, about 
	character...

ANGLE - ROBIN

who's picked up the receiver from a wall phone and punches in 
four numbers.

She turns in to the wall to shield her conversation from the 
rest of the room.

			ROBIN
		   (into phone)
	Lewis...call A.J. and come on down 
	here...I don't know, but 
	something's happening.

			SHEPHERD
	...and although I have not been 
	willing to engage in his attacks on 
	me, I've been here three years and 
	three days, and I can tell you 
	without hesitation: Being President 
	of this country is entirely about 
	character.

LEWIS enters with A.J. and KODAK.

			SHEPHERD
		   (continuing)
	For the record: Yes, I am a card-
	carrying member of the A.C.L.U. But 
	the more important question is why 
	aren't you, Bob? This is an 
	organization whose sole purpose is to 
	defend the Bill of Rights, so it 
	naturally begs the questions. 

			SHEPHERD
		   (continuing)
	Why would a senator, his party's most 
	powerful spokesman and a candidate 
	for president, choose to reject 
	upholding the Constitution? If you 
	can answer that question, then, 
	folks, you're smarter than I am, 
	because I didn't understand it until 
	a couple of minutes ago. Everybody 
	knows American isn't easy. America is 
	advanced citizenship.

			SHEPHERD
		   (continuing)
	You gotta want it bad, 'cause it's 
	gonna put up a fight. It's gonna 
	say, "You want free speech? Let's 
	see you acknowledge a man whose words 
	make your blood boil, who's standing 
	center stage and advocating, at the 
	top of his lungs, that which you 
	would spend a lifetime opposing at the 
	top of yours. You want to claim 
	this land as the land of the free, 
	then the symbol of your country can't 
	just be a flag; the symbol also has 
	to be one of its citizens exercising 
	his right to burn that flag in 
	protest." Show me that, defend that, 
	celebrate that in your classrooms. 
	Then you can stand up and sing about 
	the land of the free. I've known Bob 
	Rumson for years. I've been operating 
	under the assumption that the reason 
	Bob devotes so much time and energy to 
	shouting at the rain was that he simply 
	didn't get it. Well, I was wrong. 

			SHEPHERD
		   (continuing)
	Bob's problem isn't that he doesn't 
	get it. Bob's problem is that he 
	can't sell it. Nobody has ever won 
	an election by talking about what I 
	was just talking about.

			SHEPHERD
		   (continuing)
	This is a country made up of people 
	with hard jobs that they're terrified 
	of losing. The roots of freedom are 
	of little or no interest to them at 
	the moment. We are a nation afraid 
	to go out at night. We're a society 
	that has assigned low priority to 
	education and has looked the other 
	way while our public schools have 
	been decimated. We have serious 
	problems to solve, and we need 
	serious men to solve them. And 
	whatever your particular problem is, 
	friend, I promise you, Bob Rumson is 
	not the least bit interested in 
	solving it. He is interested in two 
	things and two things only: Making 
	you afraid of it and telling you 
	who's to blame for it. That, ladies 
	and gentlemen, is how you win 
	elections. You gather a group of 
	middle-aged, middle-class, middle-
	income voters who remember with 
	longing an easier time, and you talk 
	to them about family and American 
	values and personal character. Then 
	you have an old photo of the 
	President's girlfriend. You scream 
	about patriotism and you tell them 
	she's to blame for their lot in life, 
	you go on television and you call her 
	a whore. Sydney Ellen Wade has done 
	nothing to you, Bob. She has done 
	nothing but put herself through law 
	school, prosecute criminals for five 
	years, represent the interests of 
	public school teachers for two years, 
	and lobby for the safety of our 
	natural resources.

			SHEPHERD
		   (continuing)
	You want a character debate? Fine, 
	but you better stick with me, 'cause 
	Sydney Ellen Wade is way out of your 
	league. I've loved two women in my 
	life. I lost one to cancer, and I 
	lost the other 'cause I was so busy 
	keeping my job I forgot to do my job. 
	Well that ends right now.

			SHEPHERD
		   (continuing)
	Tomorrow morning the White House is 
	sending a bill to Congress for its 
	consideration. It's White House 
	Resolution 455, an energy bill 
	requiring a 20 percent reduction of the 
	emission of fossil fuels over the 
	next ten years. It is by far the 
	most aggressive stride ever taken in 
	the fight to reverse the effects of 
	global warming. The other piece of 
	legislation is the crime bill. As of 
	today it no longer exists. I'm 
	throwing it out. I'm throwing it out 
	and writing a law that makes sense. 
	You cannot address crime prevention 
	without getting rid of assault 
	weapons and handguns. 
	I consider them a threat to national 
	security, and I will go door to door 
	if I have to, but I'm gonna convince 
	Americans that I'm right, and I'm 
	gonna get the guns. We've got 
	serous problems, and we need serious 
	men, and if you want to talk about 
	character, Bob, you'd better come at 
	me with more than a burning flag and 
	a membership card. If you want to 
	talk about character and American 
	values, fine. Just tell me where and 
	when, and I'll show up. This is a 
	time for serious men, Bob, and your 
	fifteen minutes are up. My name's 
	Andrew Shepherd, and I am the 
	President.

SHEPHERD exits the press room, leaving a stunned room in his 
wake.

The MURMURS begin from the PRESS CORPS. They're talking 
among themselves, confirming that they just saw what they 
just saw. ROBIN steps to the podium.

			ROBIN
	Any questions?

                                                     CUT TO:

INT. HALLWAY - WEST WING - DAY

A.J. and LEWIS are following after the President.

			A.J.
	Well, you don't see that every day 
	of the week.

			LEWIS
	He's got the whole White House Press 
	Corps asking each other how to spell 
	"erudite."

			A.J.
	Lewis, call the printer.

			LEWIS
	I know. Gotta rewrite the State of 
	the Union.

			A.J.
	Every word, Lewis. It's a whole new 
	ball game. You've got 35 minutes.

			LEWIS
	Oh, good. I thought I was gonna be rushed.

LEWIS goes off in one direction. A.J. heads towards the Oval 
Office.

                                                           CUT TO:

INT. OVAL OFFICE - DAY

SHEPHERD is on the phone.

			SHEPHERD
	I don't want the limo. I don't want 
	an escort.

A.J. enters.

			SHEPHERD
		   (continuing)
	I want a plain, ordinary, non-
	bullet-proof automobile. Someone 
	around here must have a Chevy I 
	can borrow. Well, find one and 
	meet me outside the West Wing 
	entrance in five minutes.

			A.J.
	Where are you going?

			SHEPHERD
	I'm going to her house. I'm gonna 
	stand at her front door till she 
	lets me in. And I'm not leaving till 
	I get her back.

			A.J.
	How're you gonna do that?

			SHEPHERD
	I haven't worked that out yet. But 
	I'm sure groveling will be involved.

			A.J.
	You're just gonna drive over?

			SHEPHERD
	I'm the Commander-in-Chief of the 
	most powerful army in the world. 
	You don't think I can drive ten blocks?

			SYDNEY
	Just stay away from DuPont Circle. 
	I hear it's murder this time of day.

SHEPHERD doesn't need to turn around to know who's standing 
in the doorway, but of course he does anyway.

			SYDNEY
	Hi, A.J.

			A.J.
	It's nice to see you, Ms. Wade. If 
	anybody needs me, I'll be in the 
	Roosevelt Room, giving Lewis oxygen.

A.J. exits.

			SYDNEY
	I heard your speech. I was in my 
	car, and it just kind of steered 
	its way over here.

			SHEPHERD
	I'm glad.

SYDNEY and SHEPHERD just gaze at each other for a moment and 
smile. SYDNEY starts toward him.

			SHEPHERD
		   (continuing)
	Sydney, I didn't decide to send 
	455 to the floor to get you back.

			SYDNEY
	I didn't come back 'cause you decided 
	to send 455 to the floor.

They move to kiss. It doesn't last very long because...

			LEWIS
		   (entering)
	Mr. President, I thought you might 
	want to look at this. I moved Social 
	Security up front. Hello, Sydney.

JANIE enters--

			JANIE
	Mr. President, Leventhal at 
	Treasury wants two minutes. Hello, 
	Sydney.

MRS. CHAPIL enters--

			MRS. CHAPIL
	Mr. President -- Excuse me, Miss 
	Wade -- Miss McCall is on her way 
	over.

			SHEPHERD
		   (to SYDNEY)
	I've got some things to do.

			SYDNEY
	Yes, you do.

                                                     CUT TO:

EXT. THE CAPITOL - NIGHT

It's lit up and glowing on this cold, clear night.

			ANCHOR (V.O.)
	We're only a moment or two away from 
	the arrival of President Shepherd and 
	his State of the Union address. 
	Lloyd, you've served on the staffs of 
	several past administrations, what 
	kind of last-minute activity is the 
	President engaged in right now?

                                                     CUT TO:

INT. A VIP ROOM - NIGHT

It's off the main corridor, and it's being used as a green 
room for SHEPHERD and his group -- LEWIS, KODAK, A.J., JANIE, 
and various AIDES and STAFFERS. People are buzzing around in 
a last-minute flurry. SHEPHERD is fumbling with his cuff 
links.

			SHEPHERD
	I'm having a cuff links crisis.

LUCY takes his sleeves.

			SHEPHERD
		   (continuing; to LUCY)
	I think they've locked.

			LUCY
	Hold still.

ROBIN steps in.

			ROBIN
	Mr. President, they're waiting for 
	you.

			LUCY
	All done.

			SHEPHERD
	Lewis.

			LEWIS
	Sir.

			SHEPHERD
	Things have been a little rough 
	between us lately.

			LEWIS
	I know sir, I'm sorry.

			SHEPHERD
	Don't stop what you're doing.

			LEWIS
	That's kind of you, sir, but I 
	realize I've been a little 
	insensitive about some personal...

			SHEPHERD
	No, you were right. Two hundred and 
	sixty-four million people don't give 
	a damn about my life.

			LEWIS
	Just so you know I've never been one 
	of them, Mr. President.

			ROBIN
	This way, people. Let's go.

			SHEPHERD
		   (to LEWIS)
	See you after.

The PEOPLE in the room start to gather their things and exit, 
ROBIN handling any and all last-minute "Mr. President"'s as 
she herds people out the door.

LUCY walks past SHEPHERD. She holds SHEPHERD's old tattered 
textbook and has it opened to a specific page...

			SHEPHERD
		   (continuing)
	Whatcha got there, Luce?

			LUCY
	Article 2, Section 3, of the U.S. 
	Constitution. Executive Powers.
		   (reading)
	"He shall, from time to time, give to 
	the Congress information of the State 
	of the Union, and recommend to their 
	consideration such measures as he 
	shall judge necessary and expedient."

			A.J.
	Sounds right up your alley.

SHEPHERD looks at his old friend and extends his hand for a 
deeply-felt handshake. A.J. grasps SHEPHERD's hand and then 
pulls him into a strong embrace.

A.J. whispers a shout into SHEPHERD's ear--

			A.J.
		   (continuing)
	Give 'em hell, Andy.

A.J. pulls away, leaving SHEPHERD to enjoy the moment without 
having to speak--

			A.J.
		   (continuing)
	You've got 30 seconds, Mr. President.

			SHEPHERD
	Thank you.
		   (to LUCY)
	I'll see you afterward. I want a 
	critique.

The room clears out...revealing SYDNEY, dressed like the 
First Lady she's soon to be, sitting against the window sill.

			SHEPHERD
		   (continuing)
	There's been something I've been 
	trying to give you since our first 
	date. I tried a bunch of times, but 
	somehow I've always managed to trip 
	over my job.
		   (beat)
	Anyay...

SHEPHERD has picked his black canvas gym bag with the gold 
Presidential seal.

He reaches in the bag and pulls out a bouquet of flowers.

			SHEPHERD
		   (continuing)
	These are for you.

			SYDNEY
	They're beautiful.

JANIE pokes her head in.

			JANIE
	Mr. President?

			SHEPHERD
	Gotta go.

			SYDNEY
	Should I stay here?

			SHEPHERD
	No, walk with me.

They exit into a hallway lined with Congressional STAFFERS, 
SECRET SERVICE, CAPITOL SECURITY, WHITE HOUSE STAFF, and, 
most prominently, A.J., LEWIS, ROBIN, JANIE and KODAK.

SYDNEY is still clutching her flowers as they near the double 
doors to the House Chamber--

			SYDNEY
	How'd you finally do it?

			SHEPHERD
		   (raising his voice 
		    above the cheering)
	Do what?

			SYDNEY
	Manage to give a woman flowers and 
	be President at the same time.

			SHEPHERD
	Well...it turns out I've got a rose 
	garden.

SYDNEY is stopped in her tracks as--

--the doors to the Chamber fly open--

			DOORKEEPER
	Mr. Speaker!!!...THE PRESIDENT OF THE 
	UNITED STATES!!!

The CHAMBER leaps to its feet in a thunderous ovation, 
shouts of "Bravo!" from the gallery...

At the back, LEWIS and ROBIN and KODAK are trying to maintain 
their professional cool, but it's a moment impossible not to 
get caught up in...SYDNEY is clutching her flowers with both 
hands...SHEPHERD is making his way down the aisle, shaking 
hands and receiving congratulations and good wishes, and we

FADE OUT.


THE END